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John Leguizamo's GHETTO KLOWN Set For The Lyceum

John Leguizamo's GHETTO KLOWN Set For The Lyceum

Jordan Catalano Profile Photo

John Leguizamo's GHETTO KLOWN Set For The Lyceum#1

Posted: 1/1/11 at 9:34am

Strange, I didn't see this posted anywhere yet. Previews start 2/21/11 with an opening night of 3/22.

http://www.broadway.com/buzz/154799/ghetto-klown-starring-john-leguizamo-sets-dates-at-lyceum-theatre/

John Leguizamo's GHETTO KLOWN Set For The Lyceum#2

Posted: 1/1/11 at 10:21am

its trying out in chicago for about 4 weeks, i believe, can't wait to see it.

sabrelady Profile Photo

John Leguizamo's GHETTO KLOWN Set For The Lyceum#2

Posted: 1/1/11 at 2:03pm

He tried out in Toronto for 2 wks as well. Toronto Star critic only gave him half marks. From what I can tell it's based around the book "Pimps, Hos, Playa, Hatas, ans all the rest of My Hollywood Friends (My Life). Actually a funny and interesting book- he dishes on some of his name co-stars and talks about his incredibly disfunctionable family.
Ghetto Klown Review

muscle23ftl Profile Photo

John Leguizamo's GHETTO KLOWN Set For The Lyceum#3

Posted: 1/1/11 at 2:58pm

I hate that title.


"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one". -Felicia Finley-

Steve2 Profile Photo

John Leguizamo's GHETTO KLOWN Set For The Lyceum#4

Posted: 2/7/11 at 10:09am

I will be in NYC Memorial Day weekend. I wonder what the likelihood of this extending is? I know they are advertising "12 weeks only!" but...

John Leguizamo's GHETTO KLOWN Set For The Lyceum#5

Posted: 2/7/11 at 10:30am

Lukewarm here in Chicago too. And the reviewer REALLY likes Leguizamo, so this sounds really weak.

Some of that stuff — though entertaining, in a gossipy kind of way — can hit the cutting-room floor without tears. So can some of the self-serving video clips of Leguizamo doing his own gun-twirling in “Romeo + Juliet.” Indeed, the journey through almost all of his films (with the rather striking exception of ‘Moulin Rouge') is not only too long, but forces the show into overly predictable rhythms. One grows similarly tired of a device where the phone rings and his agent calls. Several times.
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