#1
Posted: 8/12/05 at 9:14am
For the third time, I visited the Broadhurst for one of my favorite shows currently playing.
Byfar the best thing about this production is the cast. It is a knockout. A totally stellar, incredible performance from almost everyone. And, after seeing the show twice already, I finally got to see Chad Kimball now that he's back from his sick leave.
Julia Murney, Julie Danao-Salkin, Marcy Harriell and Mandy Gonzalez have to be some of the four most dedicated women on a Broadway stage right now. I've gotten very close with each of them (especially Julia - I bring her a rose at each performance and we're on a first-name basis now. She's a total sweet heart, by the way.) and you'd think that they'd fear the critis. However, almost all of the critic were there last night - Ben Brandtley being one of them. The girls' response to their presence: "Whatever. At least we have people like you. We love this show." Regardless of the incredibly difficult rehearsal schedules they've been keeping, they continue to perform and give it their all. It is obvious how much they love this show and it's hard to doubt for a second that they do.
Julia and Julie both told me that as of yesterday their rehearsals came to an end and the show is officially set in stone now with opening only 3 more performances away (the show opens Sunday, August 14th). Many of the changes come at the beginning and end. While I personally felt that opening and closing with IMAGINE was emotionally more gripping, the change to begin with "New York City" isn't a bad choice on the production team's choice. It's very lively and gets the audience awake and raring to go in such a short time. Throughout last night's performance, the audience's energy was incredible. Clapping to the beat, singing along, dancing in their seats. Everyone seemed to be having a grand old time. (Except for some of our wonderful theater critics. But do they *EVER* seem to have a good time?)
Speaking of the audience - for the most part, the show was sold very well last night. Or filled. Not really sure how much of it was comped seating. But, the entire orchestra was full as was about half of the mezzanine. A nice sight for a "Lennon-ite" like me who's been fearing a fast closing of the show.
As for the boys - Will Chase is a powerhouse as one of the many men to portray John. Best of all, however, is his ability to bring the accent full-circle, never dropping it or even losing grasp of it for a second. He wraps his voice so beautifully around Lennon's music and his actions so beautifully around those of John's that, at times, it's almost as if John Lennon is still alive and performing on that stage for you.
Chad, however, while soaring vocally, can't seem to grasp the famous John Lennon accent. He drops it and occasionally almost sounds like he should be playing the Bulgarian "Franz Liepkind" in THE PRODUCERS. But, not everyone is great at accents and dialects so I won't just base his performance on that. The rest of his performance is quite top-rate. (Plus, he's got to be the most adorable thing on a Broadway stage right now.)
I still can't help but feel that Terrance Mann seems lost. His solo moments and little snippets of humour are absolutely fantastic. But in ensemble numbers, he seems completely lacking energy and even fakes a lot of the dance movements the rest of the cast are doing. While he may think he's blending in, he seems to stick out like a sore thumb amongst a cast who seems absolutely THRILLED to be there.
The beautiful white grand piano isn't out until Act Two, leaving the stage to be full of access to the cast. The staging to this show is marvelous with the cast hardly ever leaving. And they never seem to lose focus, always paying attention to each other. Sitting so close in the front row makes it easy to see their faces in the darker parts of the stage. They all seem so impressed with each other and happy to be there. Ladies and gents, THIS IS THE DEFINITION OF AN ENSEMBLE.
And now, I'll let my praise go for this show for the weekend. May the theater Gods bless them with wonderful reviews - a wish I highly doubt will come true - or at least a decent run. Best wishes to the cast and crew for their coming opening performance.
Byfar the best thing about this production is the cast. It is a knockout. A totally stellar, incredible performance from almost everyone. And, after seeing the show twice already, I finally got to see Chad Kimball now that he's back from his sick leave.
Julia Murney, Julie Danao-Salkin, Marcy Harriell and Mandy Gonzalez have to be some of the four most dedicated women on a Broadway stage right now. I've gotten very close with each of them (especially Julia - I bring her a rose at each performance and we're on a first-name basis now. She's a total sweet heart, by the way.) and you'd think that they'd fear the critis. However, almost all of the critic were there last night - Ben Brandtley being one of them. The girls' response to their presence: "Whatever. At least we have people like you. We love this show." Regardless of the incredibly difficult rehearsal schedules they've been keeping, they continue to perform and give it their all. It is obvious how much they love this show and it's hard to doubt for a second that they do.
Julia and Julie both told me that as of yesterday their rehearsals came to an end and the show is officially set in stone now with opening only 3 more performances away (the show opens Sunday, August 14th). Many of the changes come at the beginning and end. While I personally felt that opening and closing with IMAGINE was emotionally more gripping, the change to begin with "New York City" isn't a bad choice on the production team's choice. It's very lively and gets the audience awake and raring to go in such a short time. Throughout last night's performance, the audience's energy was incredible. Clapping to the beat, singing along, dancing in their seats. Everyone seemed to be having a grand old time. (Except for some of our wonderful theater critics. But do they *EVER* seem to have a good time?)
Speaking of the audience - for the most part, the show was sold very well last night. Or filled. Not really sure how much of it was comped seating. But, the entire orchestra was full as was about half of the mezzanine. A nice sight for a "Lennon-ite" like me who's been fearing a fast closing of the show.
As for the boys - Will Chase is a powerhouse as one of the many men to portray John. Best of all, however, is his ability to bring the accent full-circle, never dropping it or even losing grasp of it for a second. He wraps his voice so beautifully around Lennon's music and his actions so beautifully around those of John's that, at times, it's almost as if John Lennon is still alive and performing on that stage for you.
Chad, however, while soaring vocally, can't seem to grasp the famous John Lennon accent. He drops it and occasionally almost sounds like he should be playing the Bulgarian "Franz Liepkind" in THE PRODUCERS. But, not everyone is great at accents and dialects so I won't just base his performance on that. The rest of his performance is quite top-rate. (Plus, he's got to be the most adorable thing on a Broadway stage right now.)
I still can't help but feel that Terrance Mann seems lost. His solo moments and little snippets of humour are absolutely fantastic. But in ensemble numbers, he seems completely lacking energy and even fakes a lot of the dance movements the rest of the cast are doing. While he may think he's blending in, he seems to stick out like a sore thumb amongst a cast who seems absolutely THRILLED to be there.
The beautiful white grand piano isn't out until Act Two, leaving the stage to be full of access to the cast. The staging to this show is marvelous with the cast hardly ever leaving. And they never seem to lose focus, always paying attention to each other. Sitting so close in the front row makes it easy to see their faces in the darker parts of the stage. They all seem so impressed with each other and happy to be there. Ladies and gents, THIS IS THE DEFINITION OF AN ENSEMBLE.
And now, I'll let my praise go for this show for the weekend. May the theater Gods bless them with wonderful reviews - a wish I highly doubt will come true - or at least a decent run. Best wishes to the cast and crew for their coming opening performance.
"I know now that theatre saved my life." - Susan Stroman