I really think the revival was meant to be Gary Beach's turn for a Tony. The casting of Daniel Davis was a good idea. But Daniel, I believe, had different ideas about the show and its characters. Rather than being all about Za Za, Daniel's strong characterization made him more of the vocal point in the show. The chemistry between the two of them went far south. Daniel ended up earning a bit of a bad reputation behind the scenes because of the discord. He abruptly "left" the show.
Afterwards, they casted Robert Goulet to bring in the older show goers. It worked for awhile, and there was even talk of it going on the road. I think it was filling 65% of the Marquee with strong discounting.
It was quite interesting to see both productions and witness how the roles canterlevered. I really liked Daniel's showman of showmen interpretation. Later, it was amazing to experience just how much Gary Beach had grown into the role. I'm so glad I went a second time. It was great paying homage to Mr. Goulet, and troubling to see him steady himself on stage props throughout the show. How he got through the soft shoe number is beyond me. His voice was pleasing, but to me, his line delivery was profunctory. I don't think he ever "got it".
Gavin Creel, from what I understand was a complete sweetie throughout it all. I must say, his vocals improved immensely too. It was fun to go back and see that his hair was grown out.
I will say that if you really enjoy Broadway, when there is a casting change, go again.
Updated On: 6/13/06 at 01:11 PM
