Posted: 8/16/18 at 6:31am
Kitsune said: I haven't seen Les Mis in probably 15 years, and it is among my favorite musicals. Unfortunately I'm not seeing any Goldstar discounts for the SF run, and the rush has been very hard so far.
Would you say this production is worth shelling out $100+ for? Trying to decide if I would be willing to pay full price."
I agree with Babe_Williams - it really depends how much you love Les Mis and how okay you are with the changes. I paid $95 for center orchestra seats when they went on sale in January and I was fine with that price because I have loved Les Mis for years, but I wasn't willing to pay $210.for the premium orchestra seats (and after seeing the show, I'm really glad I didn't pay twice as much to sit a little closer). To me, seeing this production is definitely not worth $200+.
One thing I hate about SHN is how they keep increasing ticket prices for the same shows. I know they're allowed to but it sucks. The same seat I paid $95 for is now $122-$147 (through SHN, not resale) depending on what day/time you go. As much as I love Les Mis, with all the issues that bothered me in this production, it wouldn't have been worth $150/ticket to me.
As you can see from my list of complaints above, I definitely had some problems with this production. If the issues I described would detract greatly from your enjoyment of the songs, then I'd stay home and just listen to the soundtrack. At least you know what you're getting with that! But if you really love seeing the show live, I'd say go since you don't know if the next version of the tour will be any better. Ha, that sounds very pessimistic but as HunterK pointed out, they keep cutting more corners so I have no reason to believe that they will massively improve things in future tours.
The show I saw had only one cast substitution (a swing performed for Feuilly). The entire cast was perfectly fine (unlike when someone gave me tickets to a non-equity tour of Rent and I thought my ears were going to bleed from some of the off pitch singing) so the singing and performances are not going to be a huge disappointment.
One of my pet peeves is when they hire people to play Eponine who can't hit all the low notes in A Little Fall of Rain. Sam Barker was the queen of "acting" on all the low notes (pain and rain) to hide the fact that she couldn't reach those notes, which annoys me to no end. Paige Smallwood (the new Eponine who just joined the tour cast two weeks ago) wasn't nearly as egregious