I now understand this show's widespread appeal. I always thought the music was beautiful, and very original. Guettel is a budding genius.
But WHY did this show catch on with theatre-goers? No fancy FX, no cherry-picker... no "pop anthems" for tweeners to sing in the shower, no kick-ass rock songs ripe for remixing... so why? It's an "adult" musical, with an unapologetic romantic momentum behind it.
As I was crying (yes, I admit it) through the last 20 minutes of the PBS broadcast... I started to understand the "why," at least for me... and perhaps it is the reason for others as well...
I identify with Margaret and Clara, far more than I ever thought I would. They are nothing like me as people. We don't share the same backgrounds, the same eras, or the same gender. So how could I relate so fundamentally to them?
With Clara: There are times, over these years, when I had thought I might not be capable of loving someone that way... that completely. To be that committed. In a way, I thought of myself as "handicapped." I wasn't sure I was "normal" enough to have that kind of love, and to give that kind of love. There was something in me that wasn't good enough, or sturdy enough.
With Margaret: She is the "responsible" voice in my head, that ultimately gives in to reason. When she sang "Love if you can then, my Clara!" I was bawling. No joke. She was the voice in my own head and heart telling me it's okay to do it. Even if you think you aren't capable, you can take the risk, and the leap of faith... and give it a shot. No guarantees. But at least, you should try.
I've been with my partner now for 10 years (this month!). This show reminded me of what it was like to fall in love, and to take that leap of faith and commitment.
I believe this is why "The Light in the Piazza" has enjoyed a popularity beyond the expectations of so many.
And then... there's that beautiful music... to remind us.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22