Posted: 8/11/08 at 12:13pm
Posted: 8/11/08 at 12:14pm
Unfortunately in this Broadway climate it needs a huge star to bring in the audiences. Let's not forget that even in the original Angela Lansbury had Jerry Herman rehearsing her. The producers didn't think Lansbury could carry the show.
Posted: 8/11/08 at 12:17pm
Posted: 8/11/08 at 12:20pm
Posted: 8/11/08 at 12:20pm
Posted: 8/11/08 at 12:23pm
Mame isn't all that dated, it's a pretty solid period piece, remember it starts right around 1929, and ends 19 years later in 1949. The score is a gem, and with the right actress it's a fantastic evening.
The thing is, you need someone who is in the middle of that age range, yet young enough to be believeable in the first act, but not too old that she comes off as old at the end of the show.
My vote still goes to Lauren Graham.
Posted: 8/11/08 at 12:24pm

There is a drag performer in Lauderdale known as "Auntie Mame" - so I say "Auntie Mame" for "Mame"
Posted: 8/11/08 at 12:25pm
Posted: 8/11/08 at 12:36pm
No, everyone has an Asian houseboy who talks with a silly accent. And everyone is shocked that unwed mothers parade themselves around without any shame.
Posted: 8/11/08 at 12:42pm
Posted: 8/11/08 at 12:45pm
To be dated it means that a piece has historically inaccurate stereotypes in it, or contains references or material that were so time specific, they don't hold as much resonance today.. The "silly" accent as you call it is reasonably typical of someone who spoke an Asian language (I forget Ito's nationality), and has learned English secondarily. And, while I don't even have a housekeeper, are you assuming that there are NO Asian housekeepers in America?
Personally, I think it just adds to Mame's kookiness and endearingness. There isn't a single racial slur about him, or anyone else said by Mame, Vera, or Patrick, and one could reasonably argue that Mame stands up against those with racial prejudice.
Posted: 8/11/08 at 12:49pm
Posted: 8/11/08 at 12:58pm
Posted: 8/11/08 at 1:13pm
Updated On: 8/11/08 at 01:13 PM
Posted: 8/11/08 at 1:23pm
But put the play Auntie Mame onstage and I'll be there in a heartbeat.
Roz Russell called the play, "Our revue without music".
Posted: 8/11/08 at 2:56pm
Posted: 8/11/08 at 3:25pm
She won his family over. It's a metaphor for winning the South over.
As to what is so wrong with the South....spend some time there. I lived in Georgia for awhile. The South has never gotten over the Civil War, and probably never will as they are so stuck in their own little "woe is me" paradigm.
Frankly I only go to the South when I need to.
I'd rather spend time in Liverpool than our South.
Posted: 8/11/08 at 3:26pm
Not all Broadway shows have to have a message or a cause......some are just fun. Mame is one.
Posted: 8/11/08 at 3:35pm
I think Mame is a good musical with a few standout numbers that make it classic. I'd like to see it revived and think that, with the right creative team, it could be phenomenal.
Posted: 8/11/08 at 3:40pm
Posted: 8/11/08 at 3:50pm
It's a cheap lyric that Herman didn't think twice about.
Since the American Civil War (in the South called The War of Northern Aggression), there has always been a bit of rivalry on the part of the southern states. Herman is (mistakenly) saying that Mame is so wonderful, gracious, etc. that she has won over the South. However, if Jerry Herman had ever spent 10 seconds in the South, he would have realized that Southerners are very proud people. To praise Mame, a New Yorker, above a genteel Southern belle would never be done by Southern people.
eta: After the Civil War, the South remained poor for many years. Herman's lyric is trying to say that this wonderful bit of fresh air has brought joy to these impoverished Southerners.
Updated On: 8/11/08 at 03:50 PM
Posted: 8/11/08 at 4:13pm
Posted: 8/11/08 at 4:28pm
BroadwayWorld TV