Her exact quote regarding Kushner and "Caroline, or Change" was "Unfortunately, Kushner, in the classic style of a self-loathing Jew, has little but revulsion for his own roots. You can hear it and feel it throughout, most notably when the Gellmans, modestly successful first generation Jews, sing their Hanukkah songs."
In a later email, she said she called Kushner a self-loathing Jew not because of what he wrote, because of the "tone" of the production, the "body language" of the actors, and the fact that Caroline's black characters have, in her opinion, better music. Since when is a book writer responsible for an actor's "body language" or certain characters having "better music?" Interesting that she didn't accuse the non-Jewish George Wolfe or Jeanine Tesori of anti-semitism as well (not that there are any such stereotypes in the piece, in the first place).
Aside from clearly not having much of a grasp on how to properly analyze subtext and metaphors within a dramatic work (and if you're parceling out blame, what the province of the book writer vs the composer vs the director is), the woman clearly has some major issues and hang-ups involving her own Jewishness -- she comes off as being the real self-loathing one here. Her continued employment is a blackmark on the part of the Sun-Times.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Updated On: 5/15/05 at 04:01 PM