Jamie,
Sorry about that. I've made the correction
apdarcey,
I think O'Hara has a gorgeous voice and is a beautiful young woman, but I felt that she could have done a better job of conveying Clara's condition to the audience. Now perhaps the fault should lie as much with Lucas' book or Sher's direction, but whoever's to blame, I thought that her performance slightly undermined a crucial aspect of the story. My opinion was further reinforced later when I watched the 1962 film version. Yvette Mimieux's Clara had a childish quality and a petulance about her which made it clear that something was "off" about her, yet Mimieux never overplayed it, so you could see how Fabrizio and his family might simply take her behavior for spoiled innocence, not mental infirmity. I never bought that with O'Hara who seemed like a completely normal 20-something American girl of the period (though she has the occasional tantrum).
Because of that, the show became more a story of a mother having trouble letting go of her grown up daughter than about the daughter herself. Had Clara's condition been more pronounced as it was in the film, there would have been even more poignance in Margaret's learning to let her go. It didn't ruin the show (in part, due to Clark's remarkable performance which filled in some of the blanks), but it removed some of the complexity and richness in the story which the movie managed to capture.
aspiring actress --
I do try to keep up to date with my reviews, but work and other time constraints sometimes make that impossible. I also go through periods where I see so many shows in rapid succession that I inevitably get behind. In the future, I hope to be able to do a better job of staying current.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney