I attended the premiere on Friday night and am a pretty frequent Met attendee. I thought it was a departure from the usual Met productions and I enjoyed that. It was all sung.
What I liked: the costumes and color palette (very 1950s Mad Men esq.), the mystery/suspense, the story, Isabel Leonard, the images used in the set - it was primarily all projected/on screens, sort of like Mean Girls or DEH, except the Met had multiple layers of screen.
What I didn't like: the score - it wasn't particularly memorable or appealing to my ear. I also didn't like the contra tenor - probably not the singer's fault, I just didn't like the role/music/tone for the character.
It's one intermission - so it was about one hour, 30 min intermission, one hour. Not too long. I think it's different and that's worth seeing. It's not something I would highly recommend for everyone and I don't plan to go again, but I enjoyed seeing the Met do something unique that wasn't barren (a la Elektra) or gimmicky (L'Amour de Loin). It did feel a little more musical theatre esq. to me than the typical opera.
If you are considering it I would go, especially if you can get a $25 rush ticket.
Incidentally, there was quite the crowd on Friday. A fun highlight was dining near Tippi Hedren during intermission at the Grand Tier.
Updated On: 10/21/18 at 01:44 PM