Despite the affecting story and the brilliance of the music, I doubt I will see "Miss Saigon." I borrowed the original cast album from the library and couldn't even get all the way through. The story is too tragic, and it apparently isn't relieved by any comedy -- Boublil and Schoenberg made "Les Miz" seem cheerful by comparison.
I cry at the end of "Les Miz" every time I see it, but it's definitely an uplifting tale. When I listen to "They're Our Children, Too" and think about a mother's killing herself to give her child a better life, I become thoroughly depressed. BTW, I haven't seen the Broadway version or the touring version of "If/Then" either because, when I saw a Washington, DC preview, I cried my eyes out and became thoroughly depressed by the ending of the Beth (?) scenario. What can I say? I cried at the end of "Lincoln," even though I already knew the ending.
I believe that a musical must have substance in its story to become timeless. However, if the show's substance leads to a thoroughly unhappy denouement, I can't embrace it, despite its gravitas.
Audrey Liebross
Audrey, the Phantom Phanatic, who nonetheless would rather be Jean Valjean, who knew how to make lemonade out of lemons.