(continued). The crowd was mostly older, with a few young ones. While I was walking in the area before the show, I accidentally past by the Actor's Studio. That was a pleasant surprise!
7:30 p.m. CATS: The line was very, very long when I got there. It took forever for the doors to open. The whole set up was interesting, with lights and a junkyard ambiance. (spoiler alert...do not continue if spoilers irritate you.) I noticed the stage was very expansive and noticed a huge tiger in the middle. I would have figured they'd have all sorts of house cats instead. The show began. This was my first time seeing CATS, so I didn't know all that much about it. The singing and dancing was amazing! I had a difficult time, on occasion, of trying to figure out the story as it was unfolding. My favorite cats: White Cat (very much a ballet master), the tap dancing cat (wore a yellow bejeweled costume, Mestopheles (very colorful lighted coat), Grizbella (at the beginning, the cats treated her like dirt). I must confess I didn't like Macavity. It seemed (at least to me) that he inspired fear and admiration (perhaps feline lust?) at the same time. Very mysterious. Rum Tum Tigger was a brilliant character, but I saw him as a narcissistic cat ("enough about me, what about me?"
. The perfomers were brililant in their own way. My favorite dance section was the tap dancing sequence. It was very lively...almost Busby Berkleyesque (sp?). I was surprised and in awe at the very final scene where Grizbella "leaves". Now... I am about to go into a rant about that "rhymes with witch" that ruined the show for me, at least in part. There was a white haired young woman seated next to her white haired person. From my upper mezz seat, I could see that she was taking photos and video. She was working my last nerve. During intermission, I told one of the ushers...even pointing out her exact seat number. That didn't stop that sow woman. All told, noticed her using her cell phone at least six times. I did contemplate telling her off, but I figured it was the job for the ushers at the Neil Simon, not me. I did enjoy the show to a great extent, but less so because of that one person in the mezz section. The ushers were handing another fool who had his phone on at times during the show. He had an aisle seat (as I) at the last row in my section. Perhaps others can offer their experiences with the ushers at the Neil Simon. They were nice and helpful, but kind of indifferent when idiots were turning on their smart phones. If they had placed an usher close to the door at the last row of mezz, then they could have seen who was turning on their phones. Nice personnel, but mostly ineffective when it mattered the most.
Later today: Chicago at 2:30 p.m. and Kinky Boots at 7.
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
Updated On: 12/27/16 at 10:47 AM