I have a confession to make. I didn't like A Light in The Piazza, most specifically the music, as opposed to the book. I feel this is almost blaspehemy, and am trying to figure out why. Recently, I have heard the score to Nine, and disliked it as well. I then listened to Floyd Collins and, sob, was unimpressed. Here are some of my favourite shows, just as a counterbalance.
The Fantasticks (# 1 by a lot) Les Miz Guys and Dolls Everything by William Finn Almost everything by Sondheim Rent, TTB, Yes, Wicked but Pippin more, Ragtime Whistle Down the Wind Martin Guerre Jane Eyre
plus all the standards, Oklahoma, The Music Man, WSS, Gypsy, etc.
I thought that I had some taste but clesrly I am missing something that everyone else is seeing. My favourite of this season was Dessa Rose, followed by Spelling Bee where I laughed until I cried and then cried until I couldn't stop. Maybe it is my advanced age- I saw Mame in 1964!
Not really. You just seem to like the more classic, simple stuff. That's not a bad thing. You just need to force yourself to listen to new things - LaChiusia, Guettel, etc. - and find the pro's in them instead of the con's and enhance your pallette.
"I know now that theatre saved my life." - Susan Stroman
I like older stuff better too in most cases. I think a big part of it is the need to draw audiences to bway these days and appeal to the younger crowd. The shows that don't try to appeal to a specific audience and just are what they are are the best ones. If that makes sense.
"I was good at everything in high school...except gym" -William Finn
Are you in the TFT cult?
Can I ask you whether you listen to the Piazza recording or watch it live.
I watched it live. Before I watched, I read some opinion about the score and I supposed I wouldn't like it. But I enjoy it in the end. After I watching the show, I enjoy the recording very much. But if I did not watch the show first, I suppose I won't enjoy it.
And the music in your list that I don't like are wicked and wistle down the wind. I have never seen these two shows, only listen to the recording once. And I don't enjoy it.
i hated wicked with a passion when i listened to the recording, stephen shwartz isn't one of my favorites, but i actually enjoyed the show much more than i expected.
"I was good at everything in high school...except gym" -William Finn
Are you in the TFT cult?
I've learned that everyone has different requirements for what a musical should be. I'm trying to go with the "There's room for everything" but some crap I just can't support.
Of course there is room for everything, and everything in its place. Many terrorists have willingly confessed after repeated playings of GOBLIN MARKET.
You can't be faulted for your own musical taste. Some people like traditional musical comedy, others like more non-traditional musicals.
Personally, I prefer the more complex non-traditional musicals - Sondheim, Piazza - shows that don't put on a happy face with a typical happy ending, although there are those shows of that nature that I love.
The one type of musical I will never support is the jukebox musical. I've seen Boy From Oz and Mamma Mia and will NEVER go to another.
Other than that, I am open to all types of musicals, but prefer the non-traditional.
The truly beautiful should be lawfully restricted from wearing clothing; and the truly butt-ugly should be lawfully mandated from going naked.
Just curious baddadnpa, but would you label "Side By Side by Sondheim" a jukebox musical? Or how about "Ain't Misbehavin'"?
"Smart! And into all those exotic mystiques -- The Kama Sutra and Chinese techniques. I hear she knows more than seventy-five. Call me tomorrow if you're still alive!"
I accept the "revues" label but I must also say that "Ain't Misbehavin'" stands out as ONE of my most enjoyable evenings at musical theatre and as a show that I thought was most deserving of its Best Musical Tony Award.
"Smart! And into all those exotic mystiques -- The Kama Sutra and Chinese techniques. I hear she knows more than seventy-five. Call me tomorrow if you're still alive!"
We all have different tastes. I didn't like LIGHT IN THE PIAZZA either, though I do typically like the La Chiusa/Sondheim/Guettel brand of musical theatre (in addition to the classical shows you list).
There is no show that 100 percent of all people like. And as snobby as we can be on message boards, there is perhaps a reason why ALW and Frank Wildhorn are the most successful composers of recent times.
OK, I am feeling a bit better. Thank you all for your welcome reponses. In fact, I saw Piazza live, liked the book and was soso about the music. I bought the Cd and took it home to find it too operatic (for lack of a better word, and it is silly anyway because I love opera) and proceeded to really dislike it more. Maybe I just don't like Guettel's music, but I feel as if I am missing out on a lot by feeling thus. To those who expressed the opinion that Mamma Mia and its ilk are not "Broadway Theatre", I agree, although I guess if my dislikes are going to be respected I have to respect others' likes.
Another favouite ( yes , I can spell but I am Canadian!) is Titanic.
Anything anyone thinks I will enjoy? I disliked Spamalot and DRS. Maybe there is no hope for me.
Well if the Fantasticks is your #1 that puts you high in my book as well, but i think you like more of the simple style. But, thats ok, everyone likes there own style. (PS i did not like Piazza music either)
Discourse is very important. Don't let anyone intimidate you out of your opinions. I was told at drama school that "you should always say you like mozart and checkov even if you don't. it's a sign of caste." when i actually listened enough to have an opinion i discovered that i'm not too fond of mozart--too mathematical for me. i always find dissenting opinions illuminating. don't be a lemming! hate sondheim! despise shakespeare! think cherry jones is a HACK! but, be prepared to say why.
It's very seldom that I like or hate EVERYTHING in a specific composer/lyricist's repertoire. (there is even some good Andrew Lloyd Webber--somewhere). Your choices seem sensible to me. Some of the shows you mention not liking definitely have to be experienced live. I saw "Floyd Collins" in Playwright's Horizons, where you couldn't help but be sucked into the plight of the title character trapped in a cave. There is also an excellent musical called "Wings" about a stroke victim, but if you just listened to the recording you'd be bored out of your mind.
I ask in all honesty/What would life be?/Without a song and a dance, what are we?/So I say "Thank you for the music/For giving it to me."