#1
Posted: 3/30/08 at 7:42pm
Yes, it's three hours even. Yes, Patrick Stewart is that good, but Kate Fleetwood is even better. Unfortunately, I'm ambivalent about the production.
Two surprises - to see that Henry Hodges understudies the children; to see that the masterful Byron Jennings (who should just move into the Lyceum) was playing Duncan and the Doctor.
It's certainly the best Macbeth NY has seen in the past 20 years - especially compared to Frasier's version and the Liev production in Central Park.
It's brilliantly designed (Howard Harrison will probably win a Tony for lighting) by Anthony Ward, and Adam Cork is a shoo-in Tony winner for the overwhelming sound design. Lorna Heavey's projections were incredible.
Rupert Goold's staging is interesting, but a bit too busy. I had a very hard time keeping tabs on everyone. Casting 30-something Kate Fleetwood opposite Patrick Stewart was an inspired work of genius. It creates a Michael Douglas/Catherine Zeta-Jones aspect that's never been attempted before. It's very sexy. And they're both incredible. Especially her.
Highlight of the show was the double banquet scene - thought it worked VERY well.
Rest of the cast is fine. Loved the rapping Weird Sisters. But there was just this down moment mid-way through the second act where I just zoned out.
There were, like, 6 curtain calls - you could tell they had never bowed that much, and the looks of sheer jubilation on Stewart and Fleetwood's faces were worth the price of admission.
By the way - it was on TKTS for today's performance. And yes, he did sign autographs.
If you've got questions, I'll answer 'em.
Two surprises - to see that Henry Hodges understudies the children; to see that the masterful Byron Jennings (who should just move into the Lyceum) was playing Duncan and the Doctor.
It's certainly the best Macbeth NY has seen in the past 20 years - especially compared to Frasier's version and the Liev production in Central Park.
It's brilliantly designed (Howard Harrison will probably win a Tony for lighting) by Anthony Ward, and Adam Cork is a shoo-in Tony winner for the overwhelming sound design. Lorna Heavey's projections were incredible.
Rupert Goold's staging is interesting, but a bit too busy. I had a very hard time keeping tabs on everyone. Casting 30-something Kate Fleetwood opposite Patrick Stewart was an inspired work of genius. It creates a Michael Douglas/Catherine Zeta-Jones aspect that's never been attempted before. It's very sexy. And they're both incredible. Especially her.
Highlight of the show was the double banquet scene - thought it worked VERY well.
Rest of the cast is fine. Loved the rapping Weird Sisters. But there was just this down moment mid-way through the second act where I just zoned out.
There were, like, 6 curtain calls - you could tell they had never bowed that much, and the looks of sheer jubilation on Stewart and Fleetwood's faces were worth the price of admission.
By the way - it was on TKTS for today's performance. And yes, he did sign autographs.
If you've got questions, I'll answer 'em.
Updated On: 3/30/08 at 07:42 PM