I'm not certain it would have been quite fair to have Patti Lupone perform the "Small World" reprise. It's a couple of tearful incomplete phrases. She would have had to come up with a performance in the recording studio of something she does not perform every night. Her talents were put to much better use on "Small World/Momma's Talking Soft," "Smile, Girls" and "Who Needs Him".
None of the cut songs have been recorded in anything quite like how they appear on the new recording. Here, they are in the original Sid Ramin/Robert Ginzler arrangements for "Small World/Momma's Talking Soft" and in Jonathan Tunick's orchestrations for the rest, echoing the style of the original orchestrations (and his mentor, Ginzler). That's a significant factor. Other recordings of those songs (and I think "Nice She Ain't" and "Momma's Talking Soft" are the only two that were previously recorded) have either used a small jazz combo or a completely different arrangement. Hearing the luscious string work in "Momma's Talking Soft" was a revelation for me.
Yes, the Bernadette Peters CD had the Entr'acte and Finale music and didn't require a second disc. But it didn't have "Seattle to LA," or all of the dance music for "Dainty June and Her Farm Boys," and "Broadway," the complete "Together" and the seven bonus cut songs. Given the packed 79 minutes on the main Time-Life disc, only an imbecile would complain about having to purchase the Barnes & Noble version to get the rest of the material. Is it REALLY that much of an inconvenience to purchase the Barnes & Noble version if you really want the Entr'acte and Exit Music? The completists who want those tracks know where they need to order their copy.
Begin at the beginning and go on till you come to the end: then stop.
Updated On: 8/20/08 at 09:35 AM