I feel like a heathen, living only 5 hours south of NY, and still trying to catch up with Wicked and BOM at the Kennedy Center or in Baltimore!
I'm sure people who hear about the special effects in Wicked (and I didn't know about them till I read this thread) want to see them. Still, I can't imagine why everyone is picking on Mike Barrett because he accepted a free ticket to a show he enjoys, but is not on his favorite list. Unless I actively disliked a show, I'd probably go back and see it a third time, especially with a free ticket.
As far as those engaging in the snarkfest of how this is a dumb thread, I find it interesting. I love reading how the technical aspects of a show work (or don't work). I'm trying to remember when musicals got so high-tech. Was Starlight Express the first one to try unusual stage effects? I'd be curious if anyone knows.
You alone can make my song take flight.