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#1

Non-Replica Phantom

So I’m in Sweden to see a non-replica production of The Phantom of the Opera, the original ive seen so many times in countless countries I’ve lost count. I have also seen the new tour but let’s not talk about that.

I was looking forward to seeing this with the ‘opera’ treatment. On the whole it was a let down, the acting just wasn’t there, and the performers failed to create an really tension. I have to say the worst was the Phantom, who forget his lines and failed to keep time with the music, even repeating lines. I was fairly disgusted. This production opened in September 2017 and there’s two phantoms (one is max from the recent sunset revival but I don’t think I saw him).

Some of the set pieces like the graveyard and the roof of the opera house were beautiful, likewise the decent to the lair but the costumes were terrible. I couldn’t get a sense of vision for the time and place of the piece.

The production was in English but when Christine visited the grave she sang the opening of Wishing you were somehow here again in Swedish which was rather poignant.

While I was very excited by the scale of the musical I think this totally detracted from the story or my perception from the intimacy of Her Majesty’s Theatre London.

Anyway, thought I’d share my experience, has anyone else been disappointed with an actor forgetting lines in a major production or anyone have any experience of non replica professional productions.

https://m.youtube.com/watch?v=AaWMbtcqgjE

#2

Non-Replica Phantom

Im vaguely surprised Sweden is doing another production so soon, didn’t they just have the replica on in Stockholm recently? I admittedly don’t know much about the theater culture there or how often productions tend to run or return there.

I’ve only seen the new tour live as far as non replicas go, but I’ve always found myself disappointed when I see the new designs.

Sure, there are always interesting things that are changed, but Maria Björnson essentially designed a perfect show (clearly I’m not biased haha) so it’s hard to see changes when they don’t live up to her brilliance. I’m glad there is more creative freedom for Phantom nowadays, but it also leads to some not so great productions.

I once had a professor in London who HATED Phantom without ever having seen it because she thought it was “cookie cutter” all over the world and therefore pointless. But that WAS the point. It was produced the same in Brazil as it was in Japan and South Korea as it was in Spain. All to match the London and Broadway production. Because they wanted you to be able to see the production as if you were in NY or London.

For crazy phans like me, it was fun to spot the small differences or to see different interpretations of the same role/blocking and what kind of presence each person brought to the same role. For others, it was a way to see this mega musical without making a trek to London or NYC. I always loved the replica productions.
#3

Non-Replica Phantom

I’m not sure how recent but Sweden definitely has a history with Phantom but original and non-replica.

I think the cookie cutter argument I’ve heard from many drama professionals over the years is such a fallacy. You cannot compare Boggess to Schoenmaker, the latter who I saw in London phantom most recently. She was fantastic, she had such life and wasn’t such a Disneyfied passive Christine like Boggess who I saw live twice and just didn’t like.



Youre so so right it’s great that there’s more freedom nowadays with phantom 30 years later haha. And with that will come the ups and the downs.

I worship at the alter of Maria also and such beautiful visionary tragically taken too soon.

I like you believe original Phantom is the perfect show. I love introducing new people to it who are always amazed.

This phantom by the way cut all magic, the phantom just walked on and off stage which reduced the tension for sure.

#4

Non-Replica Phantom

The gentleman from Sunset Boulevard who is playing the lead here is Fred Johanson.

Some of the sets look wonderful (the pipe organ!), but I agree that the costumes are surprisingly simplistic and cheap-looking for a production of this scale. And that long hair on the Phantom! It looks like they borrowed an unfortunate wig from David Hasslehoff in Jekyl & Hyde.

I'm also in the group that did not care for Cameron Mackintosh's "re-imagined" production which is currently touring the U.S. Expecting something brilliant, I foolishly bought tickets in advance for two nights early in the run, which proved a considerable financial waste. I cannot imagine that Ms. Bjornson's original designs will ever be exceeded.


==> this board is a nest of vipers <==

"Michael Riedel...The Perez Hilton of the New York Theatre scene"
- Craig Hepworth, What's On Stage

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