ON THE 20th CENTURY Reviews
Posted: 3/15/15 at 2:28pm
Updated On: 3/15/15 at 02:28 PM
Posted: 3/15/15 at 3:54pm
Posted: 3/15/15 at 3:59pm
There is a thread already where many have posted about the show. It's on the front page so maybe you want to scroll through it and enjoy those posts. I think this thread remains for "official" reviews.
Posted: 3/15/15 at 5:12pm

"Train travel is hot again, at least at the (ironically named) American Airlines Theater, where “On The Twentieth Century” turns out to be one of the funniest and most entertaining shows on Broadway – something not everybody would have predicted for this revival of a 37-year-old musical comedy adaptation of an 83-year-old play about two people who take a train from Chicago to New York."
On The Twentieth Century Review (with a dozen photographs and a video)
Posted: 3/15/15 at 5:32pm
‘On the Twentieth Century’ review: Kristin Chenoweth the engine of a blissful Broadway revival
http://www.nydailynews.com/entertainment/theater-arts/kristin-chenoweth-leads-blissful-twentieth-century-article-1.2148447
Updated On: 3/15/15 at 05:32 PM
Posted: 3/15/15 at 5:34pm
All told, “On the Twentieth Century” is on track to score big at Tony Awards time — Chenoweth might as well start practicing her acceptance speech. Buy your tickets before the train leaves the station.
ihttp://nypost.com/2015/03/15/kristin-chenoweth-leads-on-the-twentieth-century-to-theatrical-bliss
Posted: 3/15/15 at 5:36pm
Yet while Lily may well be the role of Chenoweth's career, this Century, which opened Sunday at the American Airlines Theatre, is by no means her triumph alone. In this production, directed with giddy virtuosity by Scott Ellis, every player seems perfectly cast — starting with the leading man, Peter Gallagher, whose recent struggle with a sinus infection delayed the opening by a few days.
http://www.usatoday.com/story/life/theater/2015/03/15/on-the-twentieth-century-broadway-review/70223948/
Updated On: 3/15/15 at 05:36 PM
Posted: 3/15/15 at 5:39pm
Theatergoers get pretty passionate about Cy Coleman’s score. I’m not one of them—this isn’t really one of those shows with songs that you leave the theater humming. That said, a slew of polished comic turns and some stellar staging make it a shrewd move to hop aboard this train.
http://www.nbcnewyork.com/entertainment/the-scene/Roundabouts-Twentieth-Century-Revival-Has-a-Lotta-Locomotion-296289881.html
Posted: 3/15/15 at 5:42pm
The Roundabout Theatre Company's new production with Kristin Chenoweth and Peter Gallagher doesn't live up to all that the musical could be theatrically, musically and comically.
That being said, the production is still pretty damn enjoyable. To speak metaphorically, the glass may not be full, but it's certainly more than half full.
http://www.amny.com/entertainment/on-the-twentieth-century-theater-review-3-stars-1.10063950
Posted: 3/15/15 at 5:47pm
While the director can't quite find the glue to hold it all together, the nonsensical plot and stereotypical characters are pure screwball silliness, providing the bones for some amusing comic setpieces. But watching the reliable Karl (Rocky) do bicep curls, using the diminutive Chenoweth as his barbell, is as close as the show gets to hilarious.
http://www.hollywoodreporter.com/review/kristin-chenoweth-peter-gallagher-twentieth-781525
Posted: 3/15/15 at 5:51pm
Director Scott Ellis follows “You Can’t Take It With You” with this fine-tuned revival. Ellis suddenly owns American screwball comedy. In fact, most of the fun in “On the Twentieth Century” comes from silent bits of business between the actors. Truth be told, Comden and Green’s book inspires more smiles than belly laughs, and Coleman’s music borrows from everybody (Bernstein, Gilbert & Sullivan, Lehar, Bellini) but himself at his best. “On the Twentieth Century” needs stars, and for the most part this production delivers them express.
http://www.thewrap.com/on-the-twentieth-century-theater-review-kristin-chenoweth-is-back-on-the-fast-track/
Posted: 3/15/15 at 6:53pm
Posted: 3/15/15 at 7:01pm
Posted: 3/15/15 at 7:05pm
"Century" is filled with delightfully improbable madcap action, flamboyant musical numbers and polished, inventive choreography by Warren Carlyle. There's even an adorable quartet of tap-dancing porters. Chenoweth glamorously milks each comical cliche while her opera-trained voice trills and soars in song after song.
http://abcnews.go.com/Entertainment/wireStory/theater-chenoweth-soars-manic-twentieth-century-29655533
Posted: 3/15/15 at 7:21pm
Posted: 3/15/15 at 7:22pm
Posted: 3/15/15 at 7:39pm
Posted: 3/15/15 at 7:46pm
http://en.wikipedia.org/wiki/Tony_Award_for_Best_Actress_in_a_Musical
The King and I's Anna is one of only 3 characters to win more than one Tony, with Mama Rose the only character to have won three times.
Posted: 3/15/15 at 7:48pm
I'd be very surprised if Chita doesn't win.
If Kelli DOES somehow get the Tony, I'll just chalk it up to paying back the debt for her PHENOMENAL work in Bridges.
Posted: 3/15/15 at 7:52pm
Posted: 3/15/15 at 8:03pm
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