ON THE 20th CENTURY Reviews — Page 2
Posted: 3/15/15 at 8:42pm
Posted: 3/15/15 at 8:43pm
http://www.talkinbroadway.com/world/index.html
Posted: 3/15/15 at 8:43pm
If that was still running, it would've had a chance of winning. But since it's not, a nomination would be enough of a win for them already.
Updated On: 3/15/15 at 08:43 PM
Posted: 3/15/15 at 8:46pm
Posted: 3/15/15 at 8:49pm
Updated On: 3/15/15 at 08:49 PM
Posted: 3/15/15 at 8:51pm
I'm assuming that Brantley will come his pants over this one, should he review it.
Posted: 3/15/15 at 8:52pm
Kristin deserves bonus point for putting her small, injured body and her big voice through the ordeal of doing this show eight times a week, out of a strong desire to appear in this grueling musical that she knew nothing about when her vocal instructor, Florence Birdwell, first told her it was a perfect role for her.
Posted: 3/15/15 at 9:04pm
Posted: 3/15/15 at 9:08pm
And Kelli O'Hara's consistency and ability to get roles cannot and will not be considered a bad thing. She's a working actress and does wonderful work, and that's all that matters in the long run.
Posted: 3/15/15 at 9:10pm
Posted: 3/15/15 at 9:10pm
Even Kelli O'Hara herself had openly expressed that she knew it would've been wrong had she beaten the following:
Sara Ramirez-Spamalot
LaChanze-The Color Purple
Patti LuPone-Gypsy
Audra McDonald-Porgy & Bess
Jessie Mueller-Beautiful
She thinks if she ever does win someday, it should feel right.
Updated On: 3/15/15 at 09:10 PM
Posted: 3/15/15 at 9:14pm
Posted: 3/15/15 at 9:16pm
Even Kelli O'Hara herself had openly expressed that she knew it would've been wrong had she beaten the following:
Sara Ramirez-Spamalot
LaChanze-The Color Purple
Patti LuPone-Gypsy
Audra McDonald-Porgy & Bess
Jessie Mueller-Beautiful
That's so different from Patti Lupone's take. Not that she said she deserved to win over LaChanze...but well, you know...it's Patti Lupone and she's not the most gracious loser. I remember when she said she didn't really remember losing the Tony for Anything Goes but managed to get a slight dig about Joanna Gleason looking like the Tin Man.
Updated On: 3/15/15 at 09:16 PM
Posted: 3/15/15 at 9:17pm
Posted: 3/15/15 at 9:26pm
Posted: 3/15/15 at 9:37pm
Posted: 3/15/15 at 9:45pm
Posted: 3/15/15 at 9:48pm
Posted: 3/15/15 at 9:51pm
Updated On: 3/15/15 at 09:51 PM
Posted: 3/15/15 at 9:53pm
Updated On: 3/15/15 at 09:53 PM
Posted: 3/15/15 at 10:00pm
Posted: 3/15/15 at 10:06pm
In the theater, there is overacting, which is common and painful to watch. Then there’s over-the-moon acting, which is rare and occupies its own special cloud land in heaven. I am delighted to report that this latter art is being practiced in altitudinous-high style at the American Airlines Theater, where Kristin Chenoweth and Peter Gallagher are surfing the stratosphere in “On the Twentieth Century.”
Scott Ellis’s ripping, lavishly appointed revival of this 1978 musical about dueling giant egos on a train between Chicago and New York — which opened on Sunday night in a Roundabout Theater Company production — knows that when it comes to being hyperbolic, there’s no people like show people. No, not even excitable reviewers like me on the morning after a show like this one.
http://www.nytimes.com/2015/03/16/theater/review-on-the-twentieth-century-with-kristin-chenoweth-opens-on-broadway.html?_r=0
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