I agree, Goth. Zachs seems to be a spent force.
For all its terrific choreography, and the talents of the Cagelles, LA CAGE is still considered to be a "gay" show, and that makes it a tough sell to many - Remember how the original production had to replace the original red drawing with a photograph of a real biological female chorus girl giving a high-kick to give it a box-office boost?
I still think this revival was an oppertunity lost to make Albin an angrier, tougher drag artist (In that recent interview at Broadway.com, Denis O'Hare talked about his fierce take on Albin which terrified the unnamed powers-that-be, presumaby Herman & Fierstien). But by keeping Albin mild and wussy much of it plays like a gay minstrel show - Moran & Mack in pink-face.
CHARITY may be a much weaker revival all around, but the TV commercials stress lots of girlie T&A (making it much sexier than it really is). To paraphrase Al Dubin:
"Who writes the words and music for all the girly shows?
No one cares and no one knows.
Who is the handsome hero the villan always frames?
But who cares if they got a plot or not as long as they got a lot of dames!
What do you go for, go see a show for?
Tell the truth, you go to see those beautiful dames!"
"Christ, Bette Davis?!?!"
Updated On: 6/6/05 at 06:54 PM