Overly "self-aware" songs & characters — Page 2

Wow, that's a reaction. No one called him a god, but he is the best musical theatre writer there's been for quite some time. There may be those who prefer something else, but you can't get around the fact that his skill and talent changed the whole way everyone thinks about musical theatre.

About two other things - Sondheim was brought in to WEST SIDE STORY rather late in the game; originally, Bernstein wanted to do the lyrics himself. Many of the lyrics in the show were Bernstein's; it wasn't until just before the NY opening that Bernstein agreed to give Sondheim solo credit. Sondheim makes it clear (without being blunt) that "I Feel Pretty" is more Bernstein's work than his - that's why he criticizes it so vehemently.

As far as his work originating with others, like Lapine - well, you can believe anything, but with Sondheim the case is that he begins the score, then brings in a book writer to help with the finer points.

But, for me, I find Sondheim's writing to be the most artful expression of character and story there is; Maury Yeston running second. Not only can they turn a phrase that surprises with insight - they do it while following perfect structure and form. I love that kind of art.

I agree that Sondheim is guilty of this, with the exception of Sweeney Todd. That's what makes it such a successful work of drama. Every song, every lyric, is specifically tied to action. However, it may be one of his less "emotionally deep shows", so I suppose there are trade offs.