There's a fairly clinical way to assess the pedigree of musicals, with the exception of modern day long runs.
Which shows have the most revivals, gala one nights and duplicate recordings?
Which shows are leased most to amateur groups?
Which shows have the most references in the press when broadway's landmarks are discussed.
Using that criteria wipes out about 80% of the above titles.
There's a reason that Any One Can Whistle has a concert recording and Tenderloin is a fond memory of theater afficianados.
Updated On: 3/5/07 at 06:31 PM