Ethel Merman came on the scene at a time when american musical comedy was at its peak. She had that huge voice that reached the back rows long before theatres had mics. She also had a sassy "drop the pretences, we're here to have fun" attitude. The shows written for her showcased her talents as a singer and comedienne. (The only film that sort of captures this is CALL ME MADAM.) Only in GYPSY did she have to really act, and if you listen to the GYPSY OCR you hear all that intense anger in "Rose's Turn" and even "Some People." None of the other Roses has given the role that much. She was Broadway's top star from 1930 (GIRL CRAZY) until 1970 when she closed HELLO DOLLY!
No other star has had that kind of career.
But her very broad acting style was rooted in the 1930s when performers played up to the audiences. Still it might have been fun to see her play Mrs Lovett! (she reportedly refused to go and see SWEENEY TODD.)
When I staretd in radio in 1979 we did a couple of interviews with her and she was remarkably candid and down to earth. Best line..we mentioned many of her hit shows and asked what had been some of her disappointments, thinking she might have said HAPPY HUNTING providing a good segue into that show. her response was "Marriages. But we all make mistakes, and thats what I did. I made a few Looloos!" It was great Ethel Merman response.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com