I found it an overly literal adaptation that doesn't work nearly hard enough to make the material cinematic. Yes, the stuff that works -- the opening in particular -- owes a lot to the Hal Prince original. But the narrative holes are many, far more pronounced in this telling (that cemetary sequence!) and the 2 romantic characters seem more paper-thin and weak in motivation. Work on the story's nuances would've helped. I am in the minority in terms of the board, since I think the score is mostly well-sung and well served by the the singing. If only a screenwriter (and more inventive director) had found compelling ways to dramatize the story and flesh out these 2 inane people, Raoul and Christine.
By the way -- has anyone noticed the brand new tv ad? It has NO MUSICAL numbers. It's teeny bits of dialogue stitched together, suggesting a more traditional version of the old story--a total lie, since virtually the whole thing is sung.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling