joevitus said: "I can't get interested in it, in part because I'm sure they will give him a cane and cut the goat cart, which is all wrong, but more so just because I think most filmed opera is terrible, apart from preservation of historic performances. Film as a medium and opera as an art form rarely go well together (Bergman's The Magic Flute being a happy exception, for me)."
I agree for the most part; but check out Gotz Friedrich's films of Salome and Elektra if you like those operas, they work surprisingly well.