Penn & Teller on Broadway — Page 3

I was there last night, and have to say, I was a fan. My boyfriend is quite a big fan of Penn & Teller,(he watched all of there shows, etc has seen them in Vegas) but I really only ever have seen their stuff on TV in passing so it was all mostly new.

First off, Whizzer is dead on about the political stuff. The Metal detector bit is such a waste (of $5K???) and the audiences time because it does not result in even a good trick. You could feel the audience uncomfortable here, just waiting for the bit to end and I was definitely in that camp.

Luckily the rest of the show is a delight. Penn does a great job setting up each trick, and I liked learning a little bit about the history of certain things. The best thing I can say about the show, is that each bit seemed to have a personal meaning to the two of them. The final speech before the fire is really wonderful and I think is a great way to understand why they both got into their line of work.

Teller is incredible, and really is the best thing about their act. If Penn is the face of Penn & Teller, Teller definitely is the one behind nearly all of their tricks. Highlights for me: The Fishbowl, The Cow, and the bit sitting at the table and the needles. Watching Teller on his own is mesmerizing, and his command of a stage without speaking is quite impressive.

I may not want to go see a magic show every night, but I will say it was an enjoyable evening, and I got a greater appreciation for them both from it. Also, I liked seeing them afterwards taking time to interact with their fans. A very nice touch.

I'm a little surprised by people who are surprised by the political content of the act. Penn Jillette is very much a media figure first, magician second. His famous combination of ponytail, neckbeard and fedora has become a semi-ironic "uniform" for the libertarian atheist cliche.

I can certainly imagine disagreeing with Penn, but I can't really imagine his act without his views and persona, as they have become as much part of the character as the tricks themselves.

"You could feel the audience uncomfortable here, just waiting for the bit to end"

First show where the audience is using projections?

I didnt get that anyone was uncomfortable at all and based on the number of metal Bill of Rights they sold, (was standing by the merch cart waiting to get my book signed) it was quite effective.

Know your rights

Number one
You have the right not to be killed
Murder is a crime
Unless it was done
By a policeman or aristocrat

And number two
You have the right to food money
Providing of course you don't mind a little
Investigation, humiliation
And if you cross your fingers
Rehabilitation

Number three

You have the right to free speech
As long as you're not
Dumb enough to actually try it

Ahh, you can never have too many Joe Strummer lyrics here

"I just saw a commercial for P&T, they only did 2 of the tricks shown in the commercial. wondering if they change up the tricks nightly, weekly. "

No. On his podcast, they said they were working with a Broadway director to shape the show, making cuts, moving things around, and get it locked down, etc., so my impression was they wanted to really lock in a perfect show for NYC, since they got their start here, so finding the balance of old stuff that they haven't done since they were here off-Broadway and some subsequent drop-ins, new stuff, etc.

The only thing they couldn't bring to NYC is the famous "bullet catch" they close with in Vegas, since the authorities wouldn't let them shoot live firearms at each other in a theater. Whether they actually do shoot live firearms at one another is unknown, only that they wouldn't tell the authorities how the trick was done. Nothing new there, though. They haven't been able to do that trick anywhere outside of Vegas, AFAIK.

UPDATE: On Twitter, Penn wrote re: the bullet catch: "We did not get turned down, we chose this ending for this show... the producers solved (the firearms issue) and we decided to go with another ending anyway. That's the kind of assholes we are."

Updated On: 7/11/15 at 10:41 PM

They were mainly doing SNL when they were Off-Broadway, so it would make sense they would have cycled some of the classic stuff they originated here back into the show, if it wasn't there already. I'd sort of be surprised if I went to a P&T and Teller didn't Shadows and such, though. They are more rock band than stand-up comic in that regard. I want to hear some classics.

I saw the show Wednesday and it appeared that there was a technical gaffe in the trick with the nail gun. Like the gun lost power before the bit ended

Anyone else see the show another night and confirm that it ended differently? I don't want to know the details, as I am seeing the show again next month

I have one seat available for tonights 8 PM show(Wife couldn't make it) Orchestra Section E.

Asking the cover price of the ticket only.

If interested email me asap at catseyepub@yahoo.com

Moviedude, it does end differently.

LightsOut, you are correct about the off Broadway play.

Wow: great review from Brantley in the Times!

"In theory, a Penn and Teller show is spoiler-proof because they make a point of spoiling their own deceptions, and even encourage you to go online to find out more about them, but they are also showmen to their toes who like to surprise stylishly."

Nice!

Saw the show over the weekend. I have seen about half the routines before but still thoroughly enjoyed the show. I saw in the mezzanine which was only about half filled. Both are in the lobby after the show and will sign and take photographs with those who are willing to wait their turn.