#1
Posted: 3/16/09 at 3:49pm
Phantom news... Jerry Mitchell willl choreograph
#2
Posted: 3/16/09 at 3:51pm
Well, that just gave this show an interesting twist.
2008: Feb. 18- Rent, Feb. 19- Curtains, April 18- Xanadu, April 22- Wicked, April 26- Legally Blonde, May 31- Wicked, June 13- The Little Mermaid, June 28- Wicked and Young Frankenstein, July 2- The Little Mermaid, July 6- A Chorus Line and Legally Blonde, August 16- Xanadu, September 13- Legally Blonde and 13, September 28- Xanadu and Spring Awakening, Oct. 12-GYPSY and [title of show], Oct. 19- Hairspray & Legally Blonde, Nov. 9- Wicked and 13, Dec. 14-13, Dec. 26- Billy Elliot, 2009: Jan 1- Shrek, Jan 2- 13 and Wicked, Jan 4- 13, Feb 17- In The Heights, Feb 19- Billy Elliot, Feb 22- Sweeney Todd (tour), March 28- Mary Poppins, April 4- Mamma Mia!, April 15- Jersey Boys (on tour), April 25- next to normal & 9 to 5
May 1- Billy Elliot, May 3- Spelling Bee (tour), May 8- Chicago, May 21- Wicked, June 6- Everyday Rapture, June 23- The Wiz, June 25- Hair July 15- Shrek, August 9- Wicked, September 7- Rock of Ages, October 11- Next To Normal, October 23- The Marvelous Wonderettes, November 7- Ragtime November 29- Dreamgirls, December 25- Billy Elliot, December 30- Finian's Rainbow, 2010: January 9- Bye Bye Birdie, January 16- Memphis February 17- The Phantom of The Opera, February 18- God of Carnage, March 7- Billy Elliot, March 31- American Idiot
#3
Posted: 3/16/09 at 3:53pm
This just gets funnier and funnier.
Jimmy, what are you doing here in the middle of the night? It's almost 9 PM!
#4
Posted: 3/16/09 at 4:04pm
"However, it's confirmed that rehearsals will take place in London prior to an out-of-town tryout, probably in Toronto, before opening on Broadway."
This seems like an awful lot of moving around for the cast. I wonder if they'll be rehearsing all three productions together in London.
This seems like an awful lot of moving around for the cast. I wonder if they'll be rehearsing all three productions together in London.
"All our dreams can come true -- if we have the courage to pursue them." -- Walt Disney
We must have different Gods. My God said "do to others what you would have them do to you". Your God seems to have said "My Way or the Highway".
#5
Posted: 3/16/09 at 4:12pm
Looks like a trip to Toronto for me...
#6
Posted: 3/16/09 at 5:00pm
i agree with wishingonlywounds2, it seems like its gunna be a great big mess of a show
right now my mind is thinking of the phantom doing the legally blonde remix
Has he ever done a show with classical (non-pop) musicals??
right now my mind is thinking of the phantom doing the legally blonde remix
Has he ever done a show with classical (non-pop) musicals??
#7
Posted: 3/16/09 at 5:33pm
The only thing that might save this show is that Jack O'Brien is directing it.
I want to see what Jerry Mitchell does with it. He isn't my first choice, but he could surprise all of us.
I want to see what Jerry Mitchell does with it. He isn't my first choice, but he could surprise all of us.
<--- the set of A Midsummer Night's Dream that I was assistant stage manager for during the 2007 season at the STNJ outdoor stage.
-Dre- You must remember all the same that at the crux of every game is knowing when it's time to leave the table... And it's important to be artful in your exit. No turning back, you must accept the con is done... It was a ball, it was a blast. And it's a shame it couldn't last. But every chapter has to end, you must agree.
~Dirty Rotten Scoundrels~
There's a special kind of people known as show people. We live in a world full of dreams. Sometimes we're not too certain what's false and what's real. But we're seldom in doubt about what we feel.
~Curtains~
It is a far, far better thing I do, than I have ever done; it is a far, far better rest I go to, than I have ever known.
~A Tale of Two Cities ~
~Dirty Rotten Scoundrels~
~Curtains~
~A Tale of Two Cities ~
#8
Posted: 3/16/09 at 5:43pm
"This just gets funnier and funnier. " - SporkGoddess
I have to agree. I am starting to love the idea of this show.
Sometimes things can get so ridiculous and out of hand you know it's going to be fun. Yes, I can't wait to see it.
Now, if they can only cast Rip Taylor as Phantom.
"What, I have a kid! Holy Mackerel!" And then he dumps a bag of confetti on Christine.
I have to agree. I am starting to love the idea of this show.
Sometimes things can get so ridiculous and out of hand you know it's going to be fun. Yes, I can't wait to see it.
Now, if they can only cast Rip Taylor as Phantom.
"What, I have a kid! Holy Mackerel!" And then he dumps a bag of confetti on Christine.
#9
Posted: 3/16/09 at 5:45pm
If all three shows are rehearsing and opening at the same time, where is the director and the choreographer?
Are they gonna stage this over a cell phone?
And if they change something in one show do they all change?
This is Madness!
Are they gonna stage this over a cell phone?
And if they change something in one show do they all change?
This is Madness!
#10
Posted: 3/16/09 at 5:52pm
I am looking forward to a line of Phantoms dancing down the boardwalk to the parachute jump.
Poster Emeritus
#11
Posted: 3/16/09 at 5:55pm
I am looking forward to a line of Phantoms dancing down the boardwalk to the parachute jump.
Foxy, that was hysterical. thank you. I needed that.
Foxy, that was hysterical. thank you. I needed that.
<--- the set of A Midsummer Night's Dream that I was assistant stage manager for during the 2007 season at the STNJ outdoor stage.
-Dre- You must remember all the same that at the crux of every game is knowing when it's time to leave the table... And it's important to be artful in your exit. No turning back, you must accept the con is done... It was a ball, it was a blast. And it's a shame it couldn't last. But every chapter has to end, you must agree.
~Dirty Rotten Scoundrels~
There's a special kind of people known as show people. We live in a world full of dreams. Sometimes we're not too certain what's false and what's real. But we're seldom in doubt about what we feel.
~Curtains~
It is a far, far better thing I do, than I have ever done; it is a far, far better rest I go to, than I have ever known.
~A Tale of Two Cities ~
~Dirty Rotten Scoundrels~
~Curtains~
~A Tale of Two Cities ~
#12
Posted: 3/16/09 at 6:54pm
We aim to please. Glad it amused you.
Poster Emeritus
#13
Posted: 3/16/09 at 6:54pm
We aim to please. Glad it amused you.
Poster Emeritus
#14
Posted: 3/16/09 at 7:04pm
The strategy here seems to be to sign on so many famous, reliable names from Broadway and the West End that even those who are certain this will be a train wreck (are any of us...not?) will at least be curious enough about the talent involved to splurge on a ticket. I was going to avoid this like the plague, but now I'm finding it harder and harder to resist.
Alas, even if the director, set designer, and choreographer all kick it into high gear for this production, even if Lloyd Webber turns in a decent score and the book isn't overly simplified and riddled with plot holes, I just can't see any sequel to "Phantom"--which I admit is one of my all-time favorite shows--having that intangible sense of enchantment (for lack of a better word) that keeps people going back to the original. The ending of the original production is where the bulk of its emotional weight lies...to add onto that ending will be cheap and unnecessary.
And God bless Bob Crowley, but no "Phantom" story set in Coney Island is ever going to top the Gothic, muddy darkness of Maria Bjornson's Paris Opera House.
Alas, even if the director, set designer, and choreographer all kick it into high gear for this production, even if Lloyd Webber turns in a decent score and the book isn't overly simplified and riddled with plot holes, I just can't see any sequel to "Phantom"--which I admit is one of my all-time favorite shows--having that intangible sense of enchantment (for lack of a better word) that keeps people going back to the original. The ending of the original production is where the bulk of its emotional weight lies...to add onto that ending will be cheap and unnecessary.
And God bless Bob Crowley, but no "Phantom" story set in Coney Island is ever going to top the Gothic, muddy darkness of Maria Bjornson's Paris Opera House.
"If there is going to be a restoration fee, there should also be a Renaissance fee, a Middle Ages fee and a Dark Ages fee. Someone must have men in the back room making up names, euphemisms for profit."
(Emanuel Azenberg)
#15
Posted: 3/16/09 at 8:30pm
Interesting that Hal Prince wasn't asked to direct. Or he was and he said "HELL NO!"
#16
Posted: 3/16/09 at 9:03pm
Hal Prince ain't no dummy.
Poster Emeritus
#17
Posted: 3/16/09 at 9:09pm
This is gonna be one hot mess.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
#18
Posted: 3/16/09 at 9:56pm
Not long ago I got into a pretty decent arguement with people who thought this was going to be a hit just because of ALW's name is attached to it. I tried explaining to them how it really was but it was like trying to explain to a child that Santa doesn't exist.
"All our dreams can come true -- if we have the courage to pursue them." -- Walt Disney
We must have different Gods. My God said "do to others what you would have them do to you". Your God seems to have said "My Way or the Highway".
#19
Posted: 3/16/09 at 9:57pm
This is looking less like Phantom 2 and more of Hairspray 2: Electric Boogaloo.
#20
Posted: 3/16/09 at 10:04pm
"This is looking less like Phantom 2 and more of Hairspray 2: Electric Boogaloo"
Hmm....Link's music career is quickly ended when he has a horrific accident and is facially scarred. Tracy tries to stand by him but he spurns her love because he feels he is "unlovable" now. He takes up residence in the former Corny Collins studio while Tracy forms a folk trio with Seaweed and Penny. Their albums go platinum and they're internationally famous.
Jealous of their success and unable to deny his love for Tracy anymore Link kidnaps her when the trio play a benefit concert at his "home".
Hmm....Link's music career is quickly ended when he has a horrific accident and is facially scarred. Tracy tries to stand by him but he spurns her love because he feels he is "unlovable" now. He takes up residence in the former Corny Collins studio while Tracy forms a folk trio with Seaweed and Penny. Their albums go platinum and they're internationally famous.
Jealous of their success and unable to deny his love for Tracy anymore Link kidnaps her when the trio play a benefit concert at his "home".
"All our dreams can come true -- if we have the courage to pursue them." -- Walt Disney
We must have different Gods. My God said "do to others what you would have them do to you". Your God seems to have said "My Way or the Highway".
#21
Posted: 3/16/09 at 10:24pm
What a pointless thread. I highly doubt the choreographer of this show will either make or break it. Please.
#22
Posted: 3/16/09 at 10:49pm
I was kind of imagining Erik dancing to "What You Want" in a marching band costume.
~What you want, Christine, what you want is me~
~What you want, Christine, what you want is me~
Jimmy, what are you doing here in the middle of the night? It's almost 9 PM!
Updated On: 3/16/09 at 10:49 PM
#23
Posted: 3/16/09 at 10:51pm
imagine Erik & Christine belting out Phantom Remix.
#24
Posted: 3/16/09 at 10:59pm
How about a little Irish dancing thrown in?
"All our dreams can come true -- if we have the courage to pursue them." -- Walt Disney
We must have different Gods. My God said "do to others what you would have them do to you". Your God seems to have said "My Way or the Highway".
#25
Posted: 3/16/09 at 11:01pm
Nope, I heard Jerry is substituting a kick line for it.
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