There was an article in yesterday's paper talking about the quick costume and wig changes, and it mentioned there was a possibility of extending, which would be great. I saw the show earlier in the week, and a lot of the weekend performances are already sold out, so tickets are becoming scarce despite the mixed review by the Inquirer.
I had never seen the show before, but it is one of my favorite scores. The show has areas that could be improved, but I agree with PottstownTeacher that, as a whole, the evening worked and I really enjoyed the production and am considering seeing it again.
(SPOILERS COMING NEXT TO RESPOND TO THE QUESTION ABOUT THE ACT I FINALE, SO DON'T KEEP READING IF YOU DON'T WANT TO KNOW HOW ACT I ENDS!)
(HERE COME THE SPOILERS!)
I personally did not like the way that the Act I Finale was handled. With a limited budget, I can see why they may not have been able to whisk Effie offstage to make room for the Dreams, but what happens is Effie basically stumbles off stage while she is singing the "meeee!" last note and the Dreams come on from the opposite side. This comes across as very odd for a couple of different reasons. First, Effie looks like she is clutching her stomach, which I think is supposed to show she is in agony and is fine until she starts stumbling off, which made me wonder if she was running off to go to the bathroom, which I don't think was the intent. Also, the staging is weird because in the lines just preceding, Effie is basically still, then all of a sudden she starts BACKING AWAY AND TO THE SIDE while she is reaching the last note, which takes away the power of the end of the song. Also, the last note is swallowed up and you can barely hear any of the "meeee!" To be an armchair director for a second, I think it would have been better to have had Effie start the movement after the "meeee!" is over (or at least farther along) and after the Dreams come in rather than so early. I have heard that Michael Bennett wanted to avoid the applause break, but the song whimpers out the current way. If the director wanted to make the point that Effie's emotional climax is being stepped on by the Dreams, it could have been done more forcefully and effectively if staged a little differently. For example, I think it would have been better to just have her back up and have a curtain drop between Effie and the audience (possibly a see-through one so you can still see her while the Dreams are performing) rather than do the stumbling to the side, which seems more purposeful and therefore more puzzling than a stagger straight back would be. But this is a minor quibble, partially brought on by years of listening to Jennifer Holliday's amazing last note and the huge gasp she takes before it, signaling, "Here comes the freight train -- get out of the way!" There's no freight train in this staging, and I missed it.
"What was the name of that cheese that I like?"
"you can't run away forever...but there's nothing wrong with getting a good head start"
"well I hope and I pray, that maybe someday, you'll walk in the room with my heart"