John Owen-Jones: Exciting, angry, scary as hell, and romantic all at once. Huge presence on stage. Loved him.
Hugh Panaro: Very different. Based his off of Susan Kay's "Phantom" to an extent, and changed it up so often that you could use every word to describe him. Amazing voice, and always, always interesting. My #1 choice.
Greg Mills: Giant presence, angry, suave. One of the best.
Jeremy Stolle: Thrilling. Incredible voice, great performance. Tied with Greg Mills as one of my favorites.
Paul Schaefer: Drunk. Not that he was actually drunk, but he wobbles his head around the entire night and that's all I remember.
Laird Mackintosh: Not much to say. I like him a lot, but he was very average when I saw him. Standard, sticks to the blocking, unique voice.
Norm Lewis: Teddy bear that could maul you. Didn't always hit the high notes, but I'll forever be glad they asked him to play the role. Interesting.
Peter Joback: Feral. Small in stature, but used it to his advantage to be like a cornered animal that was about to strike. Very fast moving around the stage, and enjoyable to watch each time I saw him. Stuck to roughly the same performance each time, not mixing it up much with each Christine or Raoul, as I was used to seeing Hugh Panaro did, but he was great.
James Barbour: Boring, but with a good voice that made him worth seeing once. I regretted the second time, because of the boring part. Definitely just stuck to the blocking, and couldn't see any type of facial expression from the front mezz.