"Rebecca" was either an English-language novel, or translated early on. When I studied mystery writing, my teacher kept holding "Rebecca" up as a novel that did a terrific job with atmosphere; she was, of course, referring to the English-language version. While "Rebecca" is very much a "chick flick" show, being female-oriented is NOT a liability for a Broadway musical -- can anyone honestly say that "The Phantom of the Opera," as envisioned by ALW and his book and lyric writers, is a horror story instead of a pure romance?
All the young, and not so young fangirls that attend "Phantom" and "Wicked" more than once are a natural audience for "Rebecca." In fact, the relationship between Maxim de Winter and "I" bears some resemblance to the Phantom's relationship with Christine, in that an older, flawed, highly charismatic man captures the attention of a young, innocent female. So, bring on "Rebecca" -- as one of those overgrown fangirls, I can't wait to see it.
Audrey
Audrey, the Phantom Phanatic, who nonetheless would rather be Jean Valjean, who knew how to make lemonade out of lemons.