I think the problem with Rent has always been that the libretto is under-developed - it comes across as if it's about two rewrites away from being ready for a production. I don't think it's dated - it's a product of its time, just like most shows. If the plot structure was tighter and the characters less one dimensional, there'd be no problem with the piece being performed anywhere at any time. But even with these Book problems, the Rent score is nothing short of astonishing. Jonathan Larson's tragic early death robbed musical theatre of one of its most genuine songwriting geniuses. Each time I play the album, just about every single song totally blows me away.
I'd love to see what an innovative and inspired director could do with the piece, especially in a small space. But any new production should focus on what needs work - not "remixing" the score but fine-tuning the Book.
THEATRE 2020: CURTAINS**** LET'S HEAR IT FOR THE GIRLS***** WICKED***** KEITH RAMSAY TAKING NOTES WITH EDWARD SECKERSON***** KAYLEIGH MCKNIGHT CONCERT***** RAGS***** ON MCQUILLAN'S HILL** DEAR EVAN HANSEN***** THE JURY***
Updated On: 11/6/10 at 07:12 PM