Romantic Poetry Reviews!
Posted: 10/28/08 at 6:30pm
'With its parade of quarreling couples, "Romantic Poetry" is a direct descendant of these works. Fred and Connie are nervy, unabashedly emotional and physically volatile. Sounds perfect for a musical. But it's not. Shanley's story dawdles and then detours to include Connie's mentally quirky first husband (Jeb Brown) and her comic, impish number two (a delightful Mark Linn-Baker).
And we haven't even gotten to Frankie (Jerry Dixon), a caterer who, by the time Act 2 rolls around, morphs into a deli owner and Mary (Patina Renea Miller), who becomes a painter. Their matchup seems almost like a throwaway subplot despite the strong voices and appealing personalities of both performers...'
http://www.sfgate.com/cgi-bin/article.cgi?f=/n/a/2008/10/28/entertainment/e140229D68.DTL
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
Posted: 10/28/08 at 8:32pm
'There must be some mistake. John Patrick Shanley, the author of “Doubt,” and Henry Krieger, the composer of “Dreamgirls,” could not have written this train wreck of a new musical. Was this a cruel joke? Did we walk into the wrong theater?
Whatever the case, “Romantic Poetry,” a farcical musical comedy about crazed lovers, though seemingly well meant, is a total misfire in every way.'
http://weblogs.amny.com/entertainment/stage/blog/2008/10/review_of_romantic_poetry.html
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
Posted: 10/28/08 at 8:35pm
'Krieger, the celebrated composer of "Dreamgirls" and "Side Show," provides music by the mile. There are a few hints of interesting melody here and there, but lyricist Shanley doesn't know what to do with them.
The bride (Emily Swallow) complains, upon her first entrance, that she is "just like a troubadour, behind a prison door, singing to his amour." And she later has a drunken aria that goes "There's a nightclub in my shoe, and I go there when I'm blue." One of her ex-husbands (Mark-Linn Baker) sings, "I am a serf, I've never seen-a, girl of high birth, you're a czarina." For the record, Shanley also sees fit to offer the quadruple rhyme "between us," "Venus," "heinous" and -- well, you can guess.'
http://www.variety.com/review/VE1117938852.html?categoryid=33&cs=1
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
Posted: 10/28/08 at 10:04pm
'What happens to love after doubt creeps into it? An excellent question, and one of the more notable ones addressed in Romantic Poetry at Manhattan Theatre Club. But a better one is: What happened to John Patrick Shanley after Doubt crept out of him?
First Defiance savagely mocked the previous work's success by recasting it in hollower, more pedestrian terms. Now this largely hopeless musical has sputtered open to further encourage us to reevaluate whether the taut Doubt was really as good as it seemed at the time, or whether it was an engrossing late-career fluke. Romantic Poetry - which Shanley also directed - is really that bad.'
http://www.talkinbroadway.com/ob/10_28_08.html
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
Posted: 10/28/08 at 10:29pm
i've been waiting for these reviews since the show started. i usher at mtc, so you can imagine how painful it is to have to watch this show at least once a week.
Posted: 10/28/08 at 10:38pm
Posted: 10/28/08 at 10:41pm
I must say I'm a big fan of really bad musicals. I don't to like laugh at other people's misfortune/failure, I just find it comforting to think that if (insert horrible show title here) made it to Broadway/Off-Broadway, then something I write/act in definitely has a chance.
Posted: 10/28/08 at 10:51pm
Updated On: 10/31/08 at 10:51 PM
Posted: 10/28/08 at 10:52pm
These reviews are totally on point. Especially the "Variety" one.
What were they thinking?
Posted: 10/28/08 at 11:28pm
"Romantic Poetry sounds like it should be a winner. And yet, this new musical at Manhattan Theatre Club Stage I is a definite disappointment."
Theatremania Review
Updated On: 10/28/08 at 11:28 PM
Posted: 10/29/08 at 1:34am
'A cheerfully disorderly musical, "Romantic Poetry" is a sketchy affair regarding passion, both artistic and amorous.
"Doubt" author John Patrick Shanley and "Dreamgirls" composer Henry Krieger are the notable collaborators for this new tuner that opened Tuesday, but regardless whether one's taste is for conventional or bizarre musical theater, their unorthodox romp doesn't satisfy.'
http://www.nj.com/entertainment/arts/index.ssf/2008/10/romantic_poetry_has_heart_in_t.html
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
Posted: 10/29/08 at 11:27am
Posted: 10/29/08 at 11:38am
'...There’s a lot of tedious plot hung on these six wayward souls. But really all you need to know is that none of them can resist a rim-shot joke, and that they share a penchant for spouting silly metaphors at length and in song. ( “I am a sailor. You are the sail./I am the Pequod. You are the whale.”)
The very talented Mr. Krieger has whipped up a confectionary batch of melodies that evoke an entire catalog of romantic standards, summoning Victor Herbert, Hoagy Carmichael and Rodgers and Hart, among others. The able cast sings these numbers with the mixture of goofiness and sincerity that is asked of them.
The same sensibility — of kitsch delivered with both a wink and a hug — is embodied in David Korins’s glittery nightclub-in-purgatory set.
You certainly can’t say that the show isn’t of a piece. But that piece is made of ingredients that were meant to be consumed in small amounts. Only people who can make a meal out of marshmallows and marzipan are likely to find “Romantic Poetry” digestible.'
http://theater2.nytimes.com/2008/10/29/theater/reviews/29roma.html
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
Posted: 10/29/08 at 11:53am
Posted: 10/29/08 at 12:10pm
However, I think MTC will come back strong. Everyone's entitled to a few mistakes. They just happened to occur at the same time. This production was only made because of Shanley.
Posted: 10/29/08 at 12:16pm
The first Zero star review in TIME OUT NY's history
Posted: 10/29/08 at 5:59pm
Updated On: 10/29/08 at 05:59 PM
Posted: 10/30/08 at 1:46am
Updated On: 10/30/08 at 01:46 AM
Posted: 10/30/08 at 1:55am
Posted: 10/30/08 at 6:59am
Posted: 10/30/08 at 11:54am
Posted: 10/30/08 at 1:12pm
Posted: 10/30/08 at 5:21pm
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