Ah, the irony of art. I laughed six times in the first 60 seconds. The opening number, alone, had me on the floor with the door bells. The hell number! Brilliantly executed after being foreshadowed in act one. The Turn It Off number. Brilliant. Hysterical. And more profound then most church songs.
And the Small House of Uncle Thomas take-off. GENIUS.
Well, we saw what we saw and I can't make you like it, nor can you make me unlike it. But you cannot argue about how well structured this piece is. Everything that's hinted in act one gets paid off in act two.
And yeah, it is a big squishy, warm musical. Maybe you don't like squishy and warm?