What the hell is he talking about, anyway? The cast and performances of Lithgow's LEAR and Rylance's TWELFTH NIGHT were "amazing, surprisingly funny, fantastic acting" but Shakespeare evidently had nothing to do with the amazingness, apart evidently from writing the plays he was seeing.
Anyone claiming that Shakespeare is "unemotional" is just beyond hope, especially having apparently seen a performance of KING LEAR where John Lithgow was "amazing." It is not humanly possible for KING LEAR to have "no stakes" or be "unrelatable" unless Ira Glass just has no experience of life outside his little glass recording booth.
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW
"Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick
My blog: http://www.roscoewrites.blogspot.com/