Sung Thru Musicals on Broadway ( Famous & Infamous)
Broadway Legend Joined: 3/14/04
re: Sung Thru Musicals on Broadway ( Famous & Infamous)#25
Posted: 12/20/04 at 12:33pmTheGaIsSilent, read the stuff BEFORE Plum's post.
Jane Eyre...#26
Posted: 12/20/04 at 12:50pm
Alas, the best through-composed musical NEVER to make it to Broadway was the initial version of Paul Gordon's JANE EYRE. This show was incredible in Toronto. Unfortunately, the revamped Broadway version didn't compare.
--M--
[ ]#27
Posted: 12/20/04 at 1:02pm
I was waiting for someone to mention Sideshow.
How can you forget all the awkward "Seriously...why aren't we just speaking??" moments of conversation.
[ ]#28
Posted: 12/20/04 at 1:03pm
SWEENEY is not sung-through.
It almost is. But not quite.
The opposite of creation isn't war, it's stagnation.
Joined: 12/31/69
[ ]#30
Posted: 12/21/04 at 10:48am
I think you can largely consider shows like Ragtime and Sweeney Todd as sung-through because an enormous amount of those shows is sung rather than spoken. They rely much more on song than dialogue. I tend to think of the sung-throughs as "mega-musicals". If were saying any dialogue excludes a show from being deemed as sung-through, then it would be difficult to name any show as sung-through. Even Caroline, or Change has a small amount of dialogue.
La Boheme is an opera that played on Broadway, not a musical! Just wanted to clarify.
[ ]#31
Posted: 12/21/04 at 11:06amThe Human Comedy
[ ]#32
Posted: 12/21/04 at 11:16am
Loge,
I think what separates a sung-through musical from a 'traditional' musical is not necessarily the amount of music, but how that show employs the use of recictative. A musical like CAROLINE uses it quite a bit. Sweeney and Ragtime, not so much.
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