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#1

The Light in the Piazza

Missed this when it was in L.A. years back, but just heard the song, "Passeggiata," on Sirius On Broadway….what a great song.

Is the play any good, and is the rest of the soundtrack as good as this song?

Wish I had caught it at the Ahmanson.
#2

The Light in the Piazza

You should be so grateful that this isn't ATC or you'd wake up to find a long thread of responses chastising you for calling it a soundtrack.

I find most of the score a beautifully arranged bore - and I've LOVED some of Guettel's work in the past. But, I think my view is firmly in the minority. I don't think it would be an exaggeration to say it's one of the most widely respected - if not beloved - new Broadway scores of the past decade.
#3

The Light in the Piazza

I saw the original Broadway production three times, and each was somewhat magical, primarily due to the way Victoria Clark inhabited the lead role of Margaret. And her two major solos, Dividing Day and Fable, are really gorgeous in my view.

I think HorseTears is right in saying it is a highly regarded score. I believe you can find video of most of the original Broadway production online fairly easily, so you can decide for yourself in context.

Updated On: 11/4/14 at 05:12 AM

#4

The Light in the Piazza

I don't disagree with HorseTears too often and I've only seen the production on TV, but I was thoroughly enchanted, beginning to end. (And I will remain a lifelong Victoria Clark fan, particularly now that I've seen her in FOLLIES.)

We listen to the album regularly, which is surprising since my husband usually doesn't care for musicals that strike him as "too operatic".
#5

The Light in the Piazza

I love this show. Victoria Clark gave one of the finest performances I've ever seen.

The score is a stunner. Gorgeous.

They recorded it for PBS and while it's not available commercially it can be found on "that" site.

....but the world goes 'round
#6

The Light in the Piazza

It does have a beautiful score, but I find it's one that I also need the visuals to truly enjoy it. It was really a gorgeous production that I was fortunate to see a few times.
#7

The Light in the Piazza

The score is gorgeous and thrilling (though I think "Floyd Collins" is Guettel's masterpiece), the performances were wonderful, especially Ms. Clark and Ms. O'Hara and the design and direction were terrific. One problem I had with the show was in the ridiculous book. I couldn't get past the creepiness of the mother trying to get her "damaged" daughter married off.

I happened to catch the second half of the film on Sunday and had the same feeling. Creepy! DeHaviland and Mimiuex were both lovely though.
"Carson has combined his passion for helping children with his love for one of Cincinnati's favorite past times - cornhole - to create a unique and exciting event perfect for a corporate outing, entertaining clients or family fun."

"In Oz, the verb is douchifizzation." PRS

#8

The Light in the Piazza

Has anyone seen the production at Pace University directed by Victoria Clark yet? Didn't it open last week?

BTW, I remember when the film opened in Winston-Salem, my hometown. The theater ran a bigger than usual ad in the local paper that read in large type "WINSTON-SALEM IS MENTIONED FOUR TIMES IN THIS MOVIE!"

Updated On: 11/4/14 at 11:45 AM

#9

The Light in the Piazza

I was bored to death, in spite of the entertaining performances and the beautiful production.
#10

The Light in the Piazza

Such a beautiful theatre-going experience for me. I saw the Broadway production twice. Once with the original cast, and then after O'Hara and Morrison departed. The first time was pure bliss. The cast, the set, the costumes, that score -- MAGIC. The second time was less enjoyable due to the face that the new Clara, who is featured on the PBS telecast, was outright terrible. I would not normally describe a professional performance with such nasty adjective, but that poor girl was way in over in her head. And that lovely score did not fit her voice at all. But leave it to Victoria Clark to cover up that mess with her mesmerizing portrayal and allowing me to still enjoy the evening.

Side note: Running into Clark at Equinox on several occasions, she really is a treasure. Such a warm, engaging personality.

Updated On: 11/4/14 at 12:32 PM

#11

The Light in the Piazza

I saw the Goodman tryout and the Broadway production. I actually preferred the Goodman production with Wayne Wilcox and Celia Keenan-Bolger, but it was beautiful at Lincoln Center as well. It's not a show that I felt instant gratification as I was watching, but the emotional resonance after leaving the show was immediate and lasting. I couldn't get it out of my head for weeks. I only wish I had returned for a second viewing of the Goodman production. To me, it had more impact in a smaller, more intimate space.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
#12

The Light in the Piazza

MM, I've always wondered how O'Hara was as Franca. I love Uriarte Berry's "The Joy You Feel", but would love to hear O'Hara's version.
"Carson has combined his passion for helping children with his love for one of Cincinnati's favorite past times - cornhole - to create a unique and exciting event perfect for a corporate outing, entertaining clients or family fun."

"In Oz, the verb is douchifizzation." PRS

#13

The Light in the Piazza

I agree that the book is mostly a total clunker. The story is just kind of dated and melodramatic and doesn't really work.

That being said, the music is quite glorious. Although I don't listen to the cast album that much because while I absolutely loved seeing it, some of the songs blur together without the visuals.

My favorite song is probably "Fable." I love how they leave the ending ambiguous in a way, as to whether or not their relationship will work in the long run, but at least she gets a chance at love unlike her mother so that's what Margaret really cares about. Also Victoria Clark is so perfect (as she is on the whole thing). I also really like "Statues & Stories" and "The Joy You Feel."

But Matthew Morrison's accent can get pretty awful on the album at times (I didn't see him in it).
Keeping BroadwayWorld Illustrated
#14

The Light in the Piazza

The score is unbelievably romantic and beautiful. I hope by now you have purchased it. It's so wonderful. And Fable is indeed one that will continue to haunt you more and more over the years.

I'm surprised at the negative comment about Morrison's accent above, as his Italian accent was popularly regarded by actual Italians as being one of the most believable and successful in a long time. I thought it was perfect.
#15

The Light in the Piazza

It's a flawed show, but its the kind of flawed show you keep coming back to. I saw O'Hara as Franca and she barely registered. I seem to be a party of one who found Sher's staging to be overly busy and antic. The PBS filming has Aaron Lazar as Fabrizio, however, and he absolutely soars. He was even better than Steven Pasquale was in Seattle.
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.” ~ Muhammad Ali
#16

The Light in the Piazza

Although I enjoyed this score, I liked Bridges better.
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#17

The Light in the Piazza

I was obsessed with this show for about a year and saw the first national tour. Absolutely love it. The storyline is... a bit odd and perhaps even embarrassing to explain, but the score more than makes up for it.

The second time was less enjoyable due to the face that the new Clara, who is featured on the PBS telecast, was outright terrible. I would not normally describe a professional performance with such nasty adjective, but that poor girl was way in over in her head. And that lovely score did not fit her voice at all.

I agree, but she had improved a lot by time I saw her on the tour.
Jimmy, what are you doing here in the middle of the night? It's almost 9 PM!
#18

The Light in the Piazza

Thanks for the insight, all. "Passegiatta" is just beautiful, and I actually like Morrison's voice in the song (though I haven't heard the score all the way through). Hopefully it tours again sometime as I'd like to check it out. I can check out the online version of it, but I think I'd rather save the first experience with it for the stage performance.
#19

The Light in the Piazza

I only saw it the one time on TV, but I'm a little confused. Is the mother "trying" to get her daughter married?

I thought she was reluctant to allow it until her flirtation with the boy's father gave her a new perspective on love.

Maybe I misunderstood the book amid all that lush music, because I found the story rather fresh for a musical. For once, I didn't know the ending after the second song.
#20

The Light in the Piazza

According to my very dim memories of reading the novella and libretto, in the novella Margaret's motives aren't articulated a great deal, but she seems to let Clara and Fabrizio's romance happen without many qualms, and seems to be relieved to be able to turn responsibility for Clara over to another family (though that's never stated outright). I don't remember getting to hear any of Clara's perspective/understanding of what's happening in the novella. (Somebody who knows the novella better can advise if this is actually correct?)
In the musical Margaret is indeed more wary of the relationship due to her concern about whether Clara will find lasting happiness with Fabrizio. Margaret still doesn't have an open discussion with Fabrizio and his family about Clara's condition though. You'd think she might be more concerned about whether they would look after Clara properly once they got to know her situation better. (And were marriage vs ending the relationship really the only options? Why not invite Fabrizio to stay with them in the US for a few months or whatever! But I guess plenty of musicals have false dilemmsa like that...)
Long story short, I think the creepiness factor was toned down a bit in the musical, but is still unfortunately present.
#21

The Light in the Piazza

" Is the mother "trying" to get her daughter married? "

Most definitely not, at least not in the novella or musical. She actively tries to keep the young lovers apart, especially in the musical (I have never seen the movie). She attempts to quash the budding relationship from its very first spark . When she sees how infatuated they truly are, she takes Clara away to Rome, hoping she'll forget Fabrizio, but finally relents, seeing how truly unhappy her daughter is without him.

" Margaret still doesn't have an open discussion with Fabrizio and his family about Clara's condition though. You'd think she might be more concerned about whether they would look after Clara properly once they got to know her situation better. (And were marriage vs ending the relationship really the only options? Why not invite Fabrizio to stay with them in the US for a few months or whatever!"

Margaret does try, several times, to have an open discussion, admittedly not very hard. Considering the times and the vast differences in the cultures the piece is set in, once Margaret has made up her mind not to stand in the way of the marriage that every one else wants, she knows it must happen before her estranged husband arrives, as he will put a stop to the proceedings.

Once she is married on foreign soil, there will be little Clara's father can do after the fact.

Margaret is seeing her daughter as a woman for the first time - sees that Frabrizio does have a special bond with her (he is shown to be capable of calming Clara in ways that previously only her mother could). Margaret sees that this might be good and right, and possibly might be Clara's only chance at happiness.

No, she does not go to Italy trying to marry her daughter off.

Just a taste of the glorious music from the
Tonys Light in the Piazza
#22

The Light in the Piazza

Thanks, guys, that's what I thought AND what I found most moving about the musical: Margaret's revelation (that maybe love is enough in some relationships) and reversal (from opposing the marriage to supporting it).

None of which struck me as "clunky" or cliche. It's true the play never stops for a clinical analysis of Clara's condition. But though my experience of the 1950s is admittedly limited (I was born almost halfway through the decade), my memory is that the vague talk about Clara being "special" is true to the way mental disease and disability were discussed at the time among WASPs of a certain class.
#23

The Light in the Piazza

Yes, this: "Margaret's revelation (that maybe love is enough in some relationships) and reversal (from opposing the marriage to supporting it)."

And in some ways, it is about the universal challenge of parents letting go so that their children live their own lives and experience the consequences of their own choices.

#24

The Light in the Piazza

LOVED this show … saw it 3 times at Lincoln Center ...

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