#1
Posted: 1/31/08 at 11:11pm
The tour is playing in Pittsburgh this week and I just arrived home a few minutes! I wanted to write this review while it was still fresh in my mind.
It is playing at Heinz Hall which seats about 3,500 or so. So the house is a bit big for the show. But luckily I had front row seats so my view was great. I just felt bad for the poor people who must have been confused in the balcony or back of the orchestra haha. The set looked so tiny on the stage. They have about 10 feet of masking on each side of the set.
The show is in great shape. Some tempos have changed from the Broadway production but other then that, everything is the same.
Judy Kaye: (Lovett) She looks great and sounds great. She nails every joke and articulates so well that none of Sondheim's glorious lyrics are lost in the huge theatre. Basically...she nails it.
David Hess: (Sweeney) I tried very hard to enjoy his performance. But he was a human tornado up there. He stumbled around like he was drunk and was just way to over the top. And his voice sounds over used and tired. Almost all of his notes in my favorite song were flat. The Johanna Quartet. It was hard on the ears. He had a few good moments. But for the most part..this part is just not for him.
Edmund Bagnell (Tobias): Has a fine voice but dare I say he plays the part a little too crazy. It was just not real. It was almost cartoonish. Nothing subtle about his performance at all. And I think he would have made a stronger connection with the audience if he had toned it down a bit.
Keith Buterbaugh: (Turpin) Does a great job. Sounds great and his pretty women harmonies sounded great. Although he had trouble hitting some of the lower notes.
Diana DiMarzio: (Beggar Woman) Just as great as she was on broadway. I love the way she moves about the stage. And there is a part during the Johanna Quartet where she just belts CITY ON FIRE!! I friggin' love it. It gives me chills every time! She stills seems fresh and works hard! Great job!
Benjamin Eakeley: (The Beadle) The sexiest Beadle I've ever seen. haha. He is tall with his hair greased back. He looks slimey and sings very well. When he just stands in the coffin it is very creepy.
Benjamin Magnuson: (Anthony) His voice is just glorious. I love him on the recording and he was great on Broadway and he does not disappoint here either. His voice just soars during Johanna. I love it.
Lauren Molina: (Johanna) I love watching her. I found my eyes going toward her throughout the show. She is so deep in character. It is great to watch her eyes twitch and watch her reactions to what is going on around her. And she has this creepy smile that is plastered on her face for a lot of the show. She looks and sounds great. She IS Johanna.
Katrina Yaukey: (Pirelli) Takes most of the humor out of the part. She sings well but is just a bit too serious I felt.
And how about John Arbo
Jonas Fogg) What a trooper. haha He is still slapping that bass like no other. (Pardon the crazy for you pun,)
I hope you all get make it to see the tour sometime soon! It is a might fine night out!!
It is playing at Heinz Hall which seats about 3,500 or so. So the house is a bit big for the show. But luckily I had front row seats so my view was great. I just felt bad for the poor people who must have been confused in the balcony or back of the orchestra haha. The set looked so tiny on the stage. They have about 10 feet of masking on each side of the set.
The show is in great shape. Some tempos have changed from the Broadway production but other then that, everything is the same.
Judy Kaye: (Lovett) She looks great and sounds great. She nails every joke and articulates so well that none of Sondheim's glorious lyrics are lost in the huge theatre. Basically...she nails it.
David Hess: (Sweeney) I tried very hard to enjoy his performance. But he was a human tornado up there. He stumbled around like he was drunk and was just way to over the top. And his voice sounds over used and tired. Almost all of his notes in my favorite song were flat. The Johanna Quartet. It was hard on the ears. He had a few good moments. But for the most part..this part is just not for him.
Edmund Bagnell (Tobias): Has a fine voice but dare I say he plays the part a little too crazy. It was just not real. It was almost cartoonish. Nothing subtle about his performance at all. And I think he would have made a stronger connection with the audience if he had toned it down a bit.
Keith Buterbaugh: (Turpin) Does a great job. Sounds great and his pretty women harmonies sounded great. Although he had trouble hitting some of the lower notes.
Diana DiMarzio: (Beggar Woman) Just as great as she was on broadway. I love the way she moves about the stage. And there is a part during the Johanna Quartet where she just belts CITY ON FIRE!! I friggin' love it. It gives me chills every time! She stills seems fresh and works hard! Great job!
Benjamin Eakeley: (The Beadle) The sexiest Beadle I've ever seen. haha. He is tall with his hair greased back. He looks slimey and sings very well. When he just stands in the coffin it is very creepy.
Benjamin Magnuson: (Anthony) His voice is just glorious. I love him on the recording and he was great on Broadway and he does not disappoint here either. His voice just soars during Johanna. I love it.
Lauren Molina: (Johanna) I love watching her. I found my eyes going toward her throughout the show. She is so deep in character. It is great to watch her eyes twitch and watch her reactions to what is going on around her. And she has this creepy smile that is plastered on her face for a lot of the show. She looks and sounds great. She IS Johanna.
Katrina Yaukey: (Pirelli) Takes most of the humor out of the part. She sings well but is just a bit too serious I felt.
And how about John Arbo
I hope you all get make it to see the tour sometime soon! It is a might fine night out!!
Updated On: 1/31/08 at 11:11 PM