...not to mention the fact that Laura Michelle Kelly wouldn't have to audition for a role she
created, pli1018.
KirbyCat, to make a long story short, Kelly was promised the opportunity to go to Broadway with the show when it ultimately transfered. When the time came to actually put that down on paper, Cameron Mackintosh told her that the producers wanted her to stay in the show right up until rehearsals began for the New York production, which would require a hefty extension of her original contract.
Kelly balked at the idea of renewing because she wanted to have time to record a solo album and take a bit of a break before heading to Broadway. When Mackintosh refused to agree to that, the deal for her to move with the show fell through.
Since then, she's released another album and done a couple shows, most recently originating the role of Galadriel in the West End production of THE LORD OF THE RINGS musical. She also played The Beggar Woman in Tim Burton's SWEENEY TODD film and appeared as Molly in the London workshop of the musicalization of the film GHOST, but it would be terrific to see her back on Broadway.
Her Mary is truly incomparable.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Updated On: 8/10/09 at 04:08 PM