#1
Posted: 6/6/05 at 9:32am
I know there's another thread about this but I hardly ever start thread, however, I am so disgusted at what I (thankfully), Tivo'd last night, that I'm embarrassed for the theatrical community.
The most horrific display of "where were the producers, directors, idea people for this show", HAD to be that tragic performance by the unbelievably out of tune Jesse Martin. You've got the legendary Chita Rivera in the building and you have Martin poorly croak out a verse and chorus of what is, IMO, one of the least exciting Kander& Ebb numbers of their entire catalogue??
You open the show with the same tired "Another Opening? You have Jackman make a fool out of himself doing a ridiculous medley and then have him sing with a WAY past her prime Aretha Franklin who apparently couldn't manage to learn the three words required? What were they thinking by bringing her on the show to begin with? WHY? It made Beyonce' Knowles seem like an absolute genius on the Oscars by comparison and that's saying a lot.
You would also think (or hope) that a show dedicated to awarding the BROADWAY season would be better at filming musical numbers. I didn't get ANY sense of the staging, choreo, or anything else for that matter. The muscial numbers were, for the most part, dreadful and didn't make me think I've really missed much at all. And if Spamalot and Ramirez are the show and performance of the season, respectively, than I'm staying right where I am. And let's not forget, I'm a huge Ramirez fan.
I could go on writing, but I do have to get on with the day. Note to the ladies, if you're going to tug at your dresses on national T.V. DON'T wear strapless gowns (Ramirez). And for my last quibble, I so wish that the winners could have spent some time memorizing their speeches. I find it so charmless when people (theater actors no less), pull out a speech that most likely could have been memorized (Folger, Jones, Clarke). And I know she's Cherry Jones and she can do whatever she wants, including passionately kiss Sarah Paulson, but come on, at least pretend it's a surprise, humour me.
The most horrific display of "where were the producers, directors, idea people for this show", HAD to be that tragic performance by the unbelievably out of tune Jesse Martin. You've got the legendary Chita Rivera in the building and you have Martin poorly croak out a verse and chorus of what is, IMO, one of the least exciting Kander& Ebb numbers of their entire catalogue??
You open the show with the same tired "Another Opening? You have Jackman make a fool out of himself doing a ridiculous medley and then have him sing with a WAY past her prime Aretha Franklin who apparently couldn't manage to learn the three words required? What were they thinking by bringing her on the show to begin with? WHY? It made Beyonce' Knowles seem like an absolute genius on the Oscars by comparison and that's saying a lot.
You would also think (or hope) that a show dedicated to awarding the BROADWAY season would be better at filming musical numbers. I didn't get ANY sense of the staging, choreo, or anything else for that matter. The muscial numbers were, for the most part, dreadful and didn't make me think I've really missed much at all. And if Spamalot and Ramirez are the show and performance of the season, respectively, than I'm staying right where I am. And let's not forget, I'm a huge Ramirez fan.
I could go on writing, but I do have to get on with the day. Note to the ladies, if you're going to tug at your dresses on national T.V. DON'T wear strapless gowns (Ramirez). And for my last quibble, I so wish that the winners could have spent some time memorizing their speeches. I find it so charmless when people (theater actors no less), pull out a speech that most likely could have been memorized (Folger, Jones, Clarke). And I know she's Cherry Jones and she can do whatever she wants, including passionately kiss Sarah Paulson, but come on, at least pretend it's a surprise, humour me.