I would love it too, but unfortunately, her chances are slim to none. Show closing early, months before the Tonys, and before Lansbury and Redgrave even open in their respective shows.
It would be a miracle - and God knows she is deserving at this point - we haven't seen the others, so it's really impossible to say. I'm just sorry that she is not getting anywhere near the attention she deserves, just because her play is not as popular or well-written and produced as a certain musical. She should be getting the same amount of attention and accolades as Ebersole, IMO.
Have I ever shown you my Shattered Dreams box? It's in my Disappointment Closet. - Marge Simpson
Well hey, miracles HAVE been known to happen at the Tony Awards. You just never know. But I do agree it would have to be a pretty big miracle up against those three women (Lansbury, Seldes, and Redgrave).
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Okay, I saw this on Sunday. I thought that Johnny Galecki was actually the true star of the play. He was absolutely fantastic. He definitely deserves a Tony nomination. Everyone else was also very good. I was a little disappointed with Julie White, though, who I felt was kind of screaming her lines with a raspy, kind of annoying voice. She was good, but I think that her role was not the best.
As for the play itself, I was also disappointed. I'm sorry, Rath! I really tried to like it but I found it abrasive and sprinkled with unnecessary language. I certainly don't mind that kind of language in a play, but it just felt wrong in this play. And I was extremely bored...people started walking out after the first 15 minutes and I was jealous.
I thought that the ending (the final scene) was so ridiculous that I laughed at it. I don't want to spoil the ending for anyone who has not seen the play, but if you have seen it, I am referring to the lines of Galecki and Scott that are juxtaposed against each other ("ending"..."beginning"). Awful.
The best part of the day, though: Jane Fonda was sitting in the Orchestra section with Eve Ensler! What a great celebrity sighting that was. Jane looked gorgeous. She smiled at everyone and walked back and forth during intermission so we could all get a great look at her. And she's almost 70 years old...wow.
I don't like to post negative things on this site as I love Broadway and I love this site, but I did not want to lie and say that I liked this play. It was a tour de force for Galecki, though, and I was very happy for him. Great performance. But the play reminded me of something I wrote in high school. Very amateurish, if that's a word.
Anyway, that's my review and I hope I don't get anyone too mad. I know that if I like a show and someone else hates it that I get mad, but really I shouldn't because it's just someone else's opinion. Not every play or musical is right for every person. I do welcome your feedback, though. :)
Mimi, I think if you go back and read our reviews and comments, most of us aren't impressed with the play itself, but with White. I'm sorry you didn't have as great of an experience.
But - JANE FONDA!
Have I ever shown you my Shattered Dreams box? It's in my Disappointment Closet. - Marge Simpson
Ms. Fonda came into the foundation I worked at once for a meeting, and everyone was just blown away by how beautiful and gracious she was.
The thing about White is, I thought no one could live up to the hype that she (at the time I first saw it) was getting. But she completely blew me away, not once, but twice, and if I can, I'll see it again before it closes - just for her performance. Yes, she's loud and over the top - but that's the character and fits in with the bigger picture of how she (representing the media, pop culture, materialism - at least as I see it) dominates the lives of the other characters. It's a performance I'll never forget.
Have I ever shown you my Shattered Dreams box? It's in my Disappointment Closet. - Marge Simpson
It was a minor off broadway worthy play elevated to Broadway because of her. By the way, she did tend to yell her lines & chew the scenery. She was the best thing about it though
Julie White IS the show. It seemed that the show picked up when she entered and slowed down when she left. The script was passable and reminded me of a typical independant, gay themed romantic comedy film.
Galecki was great, but Scott was asleep at the wheel. He should stick to films as he doesn't have much stage presence.
I saw this for the 4th time tonight, and Julie White is more on fire than ever! What a fantastic performance. She had the audience in stitches. It's nice to have a comedy play on Broadway. Those of you who have not seen it yet, try not to miss out and get your tickets before it's gone from Broadway forever.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
I saw the show two weeks ago and while I think it's less than the sum of its parts, some of the parts and a lot of dialogue is absolutely killer. I may buy the text (if published) just for the zingers.
Julie White is phenomenal...I'd heard about the over-the-top stuff too but I thought she was spot on throughout. I wanted to see the play because of fond "Roseanne" and "Opposite of Sex" memories of Johnny Galecki and he didn't disappoint. Liked Ari Gaynor quite a bit too. Tom Everett Scott was fine, but definitely the lesser of the four.
If the Joan Didion play is any good, Vanessa Redgrave's a shoo-in, but I'm hoping for a Michelle Pawk-like victory for White. "Hollywood Arms" had a similarly short run and the Tony folks still remembered her.
As for the nudity, it's relatively brief and you see more of Galecki (in all senses of the word).