For a new director of a movie musical, Tom Hooper sounds like he is very much on top of how such an iconic work ("part of the global conversation" as he puts it) can translate effectively to the film medium.
I am excited about how he is approaching the "sung-through with spoken lines" format ( doing some initial work with Hugh), how he is rationalizing why live singing cum acting could be the more effective way of delivering the musical score, and the whole process of film-making which he believes will translate into a new visual and listening experience, compared to what a fan has had with the stage production.
And he talks of a new song and new music being composed by Claude Michel Schonberg