Swing Joined: 8/7/14
Christopher Durang is a wonderful playwright, but why didn't they pull him from this production when it was clear the job was way beyond him? I saw the show last weekend and it's been running for a couple weeks. Durang called for lines at least 8 times (with an audible reply from the wings) but worse -- the other actors are constantly feeding him lines or correcting what he says. He wrote it but can't remember it? The monologue was one of the most uncomfortable things I've ever sat through in a theatre. The only angst was an actor struggling to remember what to say, while saying it all totally devoid of any emotion.
Several reviews were honest, while a couple others danced around the "elephant in the room" that the playwright was simply horrible in the role. Here's one of the most on-the-mark reviews.
Review of Vanya at Bucks
Wow, that's really sad. I'd have thought that the role would fit him like a glove.
Apropos of nothing - is he still partnered with John Augustine?
Yes, he and John Augustine are still together.
In fact they recently got married! Congratulations!
Calling line 8 times? Wow. I'm startled that he'd put himself through this, let alone the company. It's not surprising that he didn't know the words; writing dialog and learning it are entirely separate functions of the (creative) brain. But he had months to prepare; one would think he'd be at the top of his (new) game. I'm wondering if the challenge was finally greater than he anticipated. The play is funny only if performed with absolutely precision, like all Durang. There isn't room for fudging words, paraphrasing or the like. It needs the same adherence to the text as any Oscar Wilde. This is sad. I thought it sounded like a terrific idea.
Just had some friends see this earlier in the week and they said it was beyond terrible. Such a shame as the writing is terrific and if done correctly can be hysterical.
I just remembered: I saw him in the MTC "Putting it Together" with Julie Andrews. He was charming, and perfectly used as a quasi-host/narrator. And even with the trickiest lyrics, and he had some definitive Sondheim assembled words to learn, spot-on.
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