A Broadway audience is definitely going to respond with applause (or laughter or tears, etc.) for many different reasons. It's made up of all kinds of people, paying a wide variety of ticket prices, that come from many different types of backgrounds.
To say that they are all responding for the exact same reason and motivation would be inaccurate and naive. I do think that in this particular case, Elphaba's entrance invites us to applaud (as I said in an earlier post). It's written to allow the audience to respond to her, for whatever reason (for the actress or the character), and whether they do or not is entirely up to them.
When Patti LuPone made her entrance in Evita, and we first heard her sing during the opening funeral procession. She was mixed in with the chorus members as she made her way with them toward the coffin. It was NOT a star's entrance, and she did not get a burst of applause when we first laid eyes on her. But if you think that was because there was no hysteria surrounding her legendary performance, or that people weren't there specifically to see her, think again. She was the Belle of the Ball that entire season, and we all know what a huge mark she made on Broadway. Same thing with Donna McKechnie in A Chorus Line. She was a huge sensation, and made the cover of Time magazine all by herself. Donna and Patti's entrances weren't written with a "beat" to allow an audience to recognize and appreciate their Diva.
As far as why an audience stands up more often than not, it could be as Sondheim says (above), or it could be because their legs are tired from sitting and they can't wait to get up and stretch, or get home quickly, etc. But rise, they do... to cheer and smile.. more often, these days, than not.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
Updated On: 8/15/05 at 10:57 AM