I'll throw another vote in "An Inspector Calls". Never before or since have I seen a set design that was so fully integrated into the production that the set itself was almost a character in the show. The genius of it though was that as fantastic as the stage design was it never once upstaged the performance... completely brilliant.
I was also a big fan of John Lee Beatty's set for the LTC revival "The Little Foxes". That staircase! Loved it (and Stockard Channing and Frances Conroy).
Also, Bob Crowley's designs for "Carousel" were stunning as well. Which brings up two interesting conclusions: 1994 was a great year for set design and the Vivian Beaumont is a great space for set designers.
"When you're a gay man, you have to feel good about yourself when a urologist says, "Yeah. I pick you". - Happy Endings
Updated On: 4/11/06 at 01:46 PM