We have yet to see LEGALLY BLONDE, CURTAINS, or LOVEMUSIK, but if Best Musical were between SPRING AWAKENING and GREY GARDENS, the *obvious* winner is going to be SPRING AWAKENING. This isn't an issue of which is a better show (I think they're both fantastic). It's an issue of which show has a life beyond Broadway and which does not. For all of the pop-culture infused TV watchers to see Duncan Sheik accept a Tony Award for Best Score followed by his show winning the Tony Award for Best Musical (along with a kick-ass rock-pop cast performance on the telecast), this show will easily become the next RENT, in that it will tour and tour and tour and tour for years to come, head into other countries, and make road folks lots and lots of money for many, many years. In that respect, SPRING AWAKENING can have GREY GARDENS for breakfast and still have a forever expanding lifespan. GREY GARDENS is very limited. Again, I think they are both *fantastic* -- but for the road voters, SPRING AWAKENING is a no-brainer, especially up against something as unique and specific as GREY GARDENS. I have a sense that CURTAINS and LOVEMUSIK will fall into the same category as GREY GARDENS in that they will be very artistic, beautiful pieces of theater, but will not have much of a commercial lifespan. Regardless of what the reviews turn out to be like for LEGALLY BLONDE, in order for it to have ANY life beyond the Tony Awards, it needs to land a Best Musical NOMINATION so it can perform on the telecast. Now the
nominating commitee is made up of 25 artistic New York theater snobs, and they have the first say. This makes me believe the Best Musical nominees could very likely end up being SPRING AWAKENING, CURTAINS, LOVEMUSIK, and GREY GARDENS, with SPRING AWAKENING coming in an obvious first place. LEGALLY BLONDE loses the opportunity to perform on the telecast, and dies a quiet death over the summer. GREY GARDENS has the Tonys for Christine and Mary Louise in the bag. And those two Tonys will be *the* great tribute to the show, as these ladies are the heart and soul of that piece. Direction and Orchestrations are a toss-up, but the two awards that SPRING AWAKENING can easily win are Best Score and Best Musical, both of which will be key publicity tools for its great, long future ahead.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Updated On: 12/13/06 at 10:40 PM