When bad reworkings happen to good shows

Okay, so the title of this thread is an incredible exaggeration, but I've noticed on occasion tiny little changes to shows, when they're reworked from out-of-town or for film, that seem to serve no purpose other than to annoy me by deleting a beautiful piece of music.

The quintessential example, for me: "Little Lotte" in Phantom. As anyone who has heard the Original Cast knows, its one of the most haunting, beautiful moments of the score. (Particularly Raoul's voice!) In the film, its spoken.

Then, the one that led me to post this thread, the Sunset Boulevard reworking (for LA/Broadway) cuts a beautiful bit from the original London show, where Artie suggests a few film ideas to Betty and Joe ("how about a brilliant pianist- - " followed by a beautiful little piano run).

Obviously, I understand why shows are reworked, and why changes are made for films; I'm not trying to complain about that. I just wonder, in these cases...

Am I crazy? Or do the people behind productions just not get the beauty of some of the things they write?

(And, yeah, I wish I could've come up with some non-ALW examples, too!)

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Half the cut A Little Night Music songs.

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sometimes cool songs/scenes have great material but throw off the timing of the show as a whole. I liked when young tarzan had more toys during previews, especially the wheel, and there was a few witty exchanges between young tarzan and terk that I wish couldve stayed (like a comment about terk not being an alpha male) but the scene ran too long and he barely played with the toys so they served little purpose.

The sanitizing of Annie get Your Gun

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are you talking to me? I havent seen too many shows in previews and thats really the only show reworking Ive seen first hand that I actually disagree with.

The only Hairspray changes I remember from previews were all for the better. Same goes for Light In The Piazza, except maybe some of the entrances and exit locations were more interesting during previews. Ive seen Jekyll & Hyde with Good N Evil and Ive seen it with Bring On The Men, I like both.

Spork waht recording of Saigon has that song? I always get confused which stagings used which finish

Well I don't liek the current "revised" present day script for Company at all though I think there have been some decent productions using this script--I still think the original script works better, I miss tick Tock, I miss it notbeing set in 1970 (and I miss that damn oh so 70s synth in the original orchestrations--not to mention the Vocal Minority singing in the pit)

Likewise I think all the revisions to Follies have weakened James Goldman's originally much more stylized script and making it more literal does the work a disservice--I wish the original script could still be used for productions.

Zorba--an extremely underated Hal prince/Kander and Ebb work (it may be my 3rd fave of their shows, and I think is an important step in the concept musicals of Hal Prince between Cabaret to Company often forgotten). the revisions again removed much of the brilliant concept and framing device for a more literal version, the happier revisions to script and lyrics (and added song) don't work for me, etc...

I *love* the Chicago revival even if people are starting to take it for granted but I do miss some of the edited to script from the original production.

I don't really get the RSC revival of Secret Garden--yeah it's closer to the book but I think (at least on paper and CD) it misses much of what I loved about the original production.

Back to Sondheim--I think *some* of the changes made to Merrily We roll Along work but I do miss a lot of elements from the original

"Spanish Rose" from "Bye Bye Birdie". It's either revised or replaced when the show is performed.

"Living in the Shadows" from "Victor, Victoria" was missing from the Raquel Welch version.

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EricMontreal22: I believe that they changed it for the Broadway production. The OLC has it, whereas the CSR has the new finale. IIRC before they got the final version of the new finale, they used a song called "Little God of My Heart" which was also quite pretty, but oh well.

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You know, I wonder that too sometimes...if occasionally the creators just don't see some of the best aspects of their shows.

I remember seeing "Bombay Dreams" in London right as it was opening. It was brilliant. Then they brought it to B'way, made it a happy show, took out all the good songs, changed the characters, changed the script, storyline, ending, opening...I still can't believe how badly they screwed it up.

Same with Jekyll and Hyde. I saw the pre-Broadway tour. It was impressive. It was suspensfull, thrilling and at times a little scary. The death scenes were incredible, it was truly a gothic thriller. I then saw the Broadway version a few years later, it was like watching a really great movie, edited for television. I don't get it.

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The entire translation of the revival of 3Penny Opera. Meant to shock and distress the audience - it did that, it just left the characters with nothing human to work with.

What was the funeral sequence in the out of town Wicked tryouts? That sounds slightly familiar, but I've only seen the current tour.

When they cut, "We'd Like to Thank You" from the '98 Annie revival. Then again, that entire revival was a mess in comparison to the wonderful original production.

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