It has to be something with some size or grandeur or importance, so it can't be a strict musical comedy.
And it has to be enough of a director's opportunity for Bartlett Sher to take it on, so it can't be something that has only one visual interpretation or is rooted in naturalism.
And it can't be something obscure, or it won't command the attention of the subscribers and the media, the was South Pacific and King and I have done. And it has to have some social import, touching on race or history or some other "big" theme, like they have.
Too bad Porgy and Bess was just done--and in a diminished form--or it would have been a great candidate for Bartlett Sher production.
And it's too soon for another Follies--although his, when he does it, will be vastly superior to the recent revival.
And I don't think it would be wise for Lincoln Center to compete with its own success with Carousel.
So that pretty much leaves up with 1776 or Camelot.
Or Ragtime.
Updated On: 7/30/15 at 03:21 PM