Well from the sound of the TUTS website - it's a Broadway bound tour.
I always enjoyed the score from WDTW and felt that it's themes of faith - innocence - forgiveness - redemption would have been good theatre, and something audiences might have been looking for in post 9/11 NYC.
My reservations are that the Gale Edwards production in London, while it was successful in London, it still had some flaws in it. The Kenwright tour(s) (reportedly) had some changes to the score - dropping "Annie Christmas" for a new song but seemed to be more panned than the original London production.
I hope (but doubt...) that there would be some work by the creative team - Lloyd Webber - Steinman - et al before the US premiere of this production. With all the time since it first premiered (DC in 96 and London in '9

you'd hope that some perspective and distance would have given them some ideas on how to make it work more effectively.
Jim
Updated On: 3/7/07 at 04:54 PM