It does not matter if it has the best producers on Broadway. It could have the best performers, the best composer, the best writer, the best director. It does not matter if they cannot all create a solid production.
It could flop, it could be a success. From what I have garnered from the concept recording and word-of-mouth, the show is struggling to find its own unique voice. This show has been in production for quite some time and I think the main reason is because it is struggling creatively. The production team is trying hard to make the show work, but it for some reason, it just can get the proper footing it needs.
A TALE OF TWO CITIES reminds me of the all the 90s shows with pop-flavored scores that tried to bank on the success of the 80s British imported mega-hit musicals. I am referring to shows like JEKYLL & HYDE, THE SECRET GARDEN, and JANE EYRE. All which were adapted from a beloved novel and all of which flopped.
The score of A TALE OF TWO CITIES seems to have a song that is in the style of every possible type of Broadway composer out there. It does not have a single, overall sound to its score.
In addition, it is going to be a tough sell to audiences who are more in favor of musical comedies than dramatic shows.
"I'm just a musical prostitute, my dear." ~ Freddie Mercury
Updated On: 6/29/06 at 05:26 PM