They expect us to believe that Raoul is the brains of the bunch.
Schmergie...usually I adore you. But I must say: Huh?
Broadway Legend Joined: 11/8/08
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Broadway Star Joined: 3/17/05
Of course it works as a piece of theater. It's worked as a piece of theater for 20+ years. Something must work about it.
I was just gonna say. It may not be popular in some circles, but they're doing something right.
Broadway Star Joined: 2/23/08
Well, I thought it was funny...
No, I was just thinking this morning that I love The Phantom of the Opera, but there's something about the way the characters behave and interact that bothers me... and I just realized what it is.
It's that Raoul-- Raoul of all people-- is the voice of reason in this show. I mean, I love Raoul, but the way you love a pink poodle that limps.
Broadway Legend Joined: 10/6/04
i never understood the character of Raoul... he just seemed so useless...
Has someone been studying too hard for their final exams?
I am even MORE confused now!
I mean, in Phantom, the characters exist to fulfill purposes. They don't have traits-- well, except for the Phantom being seductive and homicidal. So Raoul's there to be an example of a healthy relationship for Christine and a fairly dashing guy... but his personality traits are the traits of the actors.
And usually, Raoul has minimal charisma and comes off as weak and foppish... which means that when he's the only character who says anything sensible, it's pretty easy to ignore him. He's the one who realizes that the Phantom is a sick twisted freak who should be stopped... not indulged, or worshipped, or condoned, and definitely not Christine's dad.
Of course the PHANTOM characters aren't people. They're dolls. Pretty pretty dolls. But the romantic atmosphere makes up for it.
(incidentally, the actor I saw as Raoul - Tim Martin Gleason - oozed charisma all over the place. He was incredibly loveable. And it helped his case that Howard McGillan's Phantom was a twitching, asexual mess.)
And it helped that Howard McGillan's Phantom was a twitching, asexual mess.
Haha! His voice is a bit throat-shredding sounding, too...
Yeah, Bustopher, I've always seen the characters as dolls, too-- which I guess is why they're so popular for fanfiction; people can just project traits onto them. But I just realized yesterday when listening to my OBCR that Raoul's the only remotely sensible one! And... he's the one I've always made fun of the MOST!
Well, if Mr. Webber's comfort with character complexity in past shows are any indication, the PHANTOM sequel (because I REFUSE to use the subtitle) will feature Raoul as the "comic drunk."
His job will be to sing badly and chase women, and he will be played by Byron Jennings.
Broadway Legend Joined: 10/13/05
This show's been on my mind a lot lately... it's actually one of the most moving musicals ever...think about it. It's about emotion, love, growing up, and letting go. Michael Kunze says it the best, when he says theatre that makes the crust around the heart disappear for a time and makes us reflect on the beauty and melancholy in our own lives is an addictive thing. And that is why people keep going back to shows like PHANTOM. I can't wait to see it again; truly it is magnificent as a production.
ThanksToPhantom-- I really like Phantom of the Opera. I think the songs are gorgeous, and visually, it's lovely. "Notes/Prima Donna" is one of my favorite songs. But I think it's the characters that prevent Phantom from being one of my favorite shows.
Bustopher--Okay, I am laughing so hard, because I'm totaly picturing Thenardier from Les Miserables...
But I just realized yesterday when listening to my OBCR that Raoul's the only remotely sensible one! And... he's the one I've always made fun of the MOST!
There is no OBCR. Bootleg??? Tisk... Tisk.
Sorry! Force of habit! It's actually the Canadian cast with Colm "Sorry, I spat cottage cheese on you while singing" Wilkinson.
Chorus Member Joined: 6/5/06
No character in "Phantom" has a personality except, well, the Phantom. It always confuses me when people say that Raoul is boring. And Christine is just excitement personified?
Everybody needs to just SHUT UP when it comes to the most successful documentary musical EVER!!!
Understudy Joined: 7/4/08
I love Phantom, but Christine annoys me to no end.... such a ninny. I feel the same way about Cosette - ninny.
well in the book Raoul is whiny bitch that cries about everything. Like I always say...I bet if Christine farted he would cry because it was the most beautiful thing.
Wow..... with all this negativity and criticism, I wonder if PHANTOM will ever turn a profit.
I feel the same way about Cosette - ninny.
I feel like Cosette's underdeveloped in the musical because the writers wasted too much time dwelling on Eponine, every thirteen-year-old girl's favorite character. Granted, Cosette's kind of a ninny in the book, too, but I think the musical could have shown more of the interaction between Marius and Cosette. Their relationship in the book feels believable to me, and Hugo shows just what makes Marius so in love with Cosette. Here it's, "Wow, you're pretty, I'll break into your yard so we can sing one song and kiss."
Did somebody say pretty pretty dolls?
(incidentally, the actor I saw as Raoul - Tim Martin Gleason - oozed charisma all over the place. He was incredibly loveable. And it helped his case that Howard McGillan's Phantom was a twitching, asexual mess.)
Get out of my head, Bustopher! I liked McGillin's Phantom because he seemed to play the character as close to Leroux's vision as possible (far more scary than sexy). But Gleason was, indeed, absolutely charming, and he convincingly portrayed Raoul with a sincere heart and as a moral compass (not an easy feat given the flimsy role). As I left the Majestic that night, I was even more convinced that "Phantom 2: Electric Boogaloo" would be an injustice. Not only would that last scene illustrating the Phantom's redemption be completely negated, but on top of that - poor sweet and brave Raoul, reduced to an impotent drunkard!
Ah, Schmerg, that's probably the best description of Wilkinson's voice I've ever heard (and I do like him, though only as Valjean and not the Phantom). I must admit when I'm bored, I like to imagine him singing the Journey catalogue.
Updated On: 6/16/09 at 11:32 PM
Broadway Legend Joined: 10/6/04
going back to Cosette... i felt that the cuts they made to the musical to make it shorter greatly affected Cosette the most... now whenever I hear the new version of IN MY LIFE i feel like she's just an even whinier brat who wants her way
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