I also enjoyed ''Victor/Victoria'' and seeing Julie Andrews back on a Broadway stage again, after so many years, was a thrill. Obviously, she wanted to return in a musical close to her heart, and the opportunity to work with her director-husband, Blake Edwards, was a giant factor. And Andrews' drawing power was still considerable enough to drive ''Victor/Victoria'' to over 700 performances.
tt must've been a challenge to keep up with the weekly regimen of a Broadway show when she was over 60 and re-creating a film role she did 15 years earlier.
As for the Tony nominators, sometimes their tastes can be highbrow and snobby. It's easy to see why they'd sneer at ''Victor/Victoria'' and ''Big'' as the latest stage versions of hit movies. Also, Edwards was a newcomer to the Broadway community. It was easier for the nominators to acknowledge Graciela Daniele, one of their own, for Lincoln Center's ''Chronicle of a Death Foretold.'' What they ever saw in ''Swinging on a Star'' artistically or award-worthy beats me, other than the opportunity to shut ''Victor/Victoria'' and ''Big'' out of the Best Musical category.
Updated On: 4/21/23 at 12:06 PM